
Natalie’s 21st Birthday
“All of humanity’s problems stem from man’s inability to sit quietly in a room alone.”
Blaise Pascal
In “True Detective” there’s a scene where Marty, angry with Rust’s take on things, tells him to “stop sayin’ shit like that.” Rust answers, “Given how long it’s taken for me to reconcile my nature, I can’t figure I’d forego it on your account.”
It’s things like that that fascinate me. Rust is cynical, aloof. He’s a self-proclaimed pessimist. He has no friends, and the only relatives we hear about are a mother who might or might not be alive, a father he didn’t get along with when he was alive, a daughter who died when she was two and a wife he’s divorced from because of it. He thinks existence is a mistake and the best thing we could do is stop reproducing, and so “opt out of a raw deal.”
Awful as any of that sounds, he says he’s reconciled his nature. “I know who I am,” he says. And what fascinates me is the idea of knowing who I am and then allowing myself to be, even if I don’t look the way the world says I’m supposed to. But is that “self” knowable? Is “who I am” something other than fluid? Is “who I am” anything more than some self I’ve invented, and then judged?
Sunday we had a party for Natalie’s 21st birthday. Her birthday is actually July 4th, but she’ll be away in France so we had her party early. I made dessert, like I always do; pie, cookies and a sheet cake decorated to look like a flag. And like every day – which is something that I’d been starting to grasp right before Philip died – it wasn’t a good day or a bad day; it was a day of moments and some felt better than others.
Natalie is now (or at least, in 9 days will be) as old as Philip was when he died. Last year, when she turned 20, I spent some time feeling sick and scared because it hit me she was no longer a teenager, that she was “catching up” to him, which seemed to make him more dead. How will I feel when she turns 21, I wondered? On Sunday, I felt nothing in particular that I could connect to her birthday. Since then, whatever mood I’ve been in, whatever dark places I’ve been banging around in, I can’t connect them to Natalie’s turning 21. And I know that no matter what, Philip will always be her older brother.
At the party, I spoke to my sister-in-law J. for a while. She told me that when she was looking at cards for Natalie, she saw one with a big 21 on the cover. “I couldn’t buy it,” she said. “It didn’t feel right.” I’m sorry I didn’t tell her what it felt like not only to know she was still thinking about Philip, but that she told me about it. I told her that I just felt done; that I’m always feeling that I’d rather be where Philip is than be here, even though here is where Natalie is. I feel bad saying that, I told her. But my grief feels so much bigger than wanting to live ever could.
But is it true that I “always” feel like that? I don’t “always” feel like anything. Last week, I was asked to find a plumber for a job we’ll soon be starting (reminder: I work for a design and construction company). The job’s in an area we’ve never worked in, so we need to find subcontractors. So I googled “plumbing contractors” and that’s where I found Doodyman. In fact, what came up was not just Doodyman – it was “Doodyman to the rescue.” I was thinking, gee, poor guy, how hard to grow up with a last name like Doody, how fortunate he became a plumber – until I went to his site where there’s a Superman figure with a toilet bowl on his chest instead of an “S” and he’s talking about unclogging this and unclogging that and how he’ll make you “doody-free” and there’s even link to “The Adventures of Doodyman” and I realized, well, duh, it’s a schtick, not a last name.
I found this hilarious. I mean bent-over-belly-clutching-wiping-tears-from-my-eyes uncontrollably hilarious. I haven’t laughed like that since Philip died. And every time I told someone else I lost it again and I don’t think anyone was laughing at old Doodyman as much as they were laughing because I was.
So what was it I lost? The voice in my head. The voice that creates my-self so exquisitely that I can’t tell which came first, this terrible self that deserves what it’s being told or the secret, brutal voice that assures me my daughter can love me, my friends can care about me and I can do as well at work as I want, but when I come home and sit alone with myself there’s an ugly truth to being alive that’s always been and always will be, and if I want proof of what that is, it’s that Philip’s dead. And his death becomes real personal, the antithesis of what I wrote here.
I’m told life is in the living. I’m here, Philip isn’t, but I have to go on, make a life for myself. Philip wants me to be happy. I’m told I should be happy that Natalie’s going to France, I should be proud that I’ve raised a kid who’s moving out into the world. She’s also found an apartment, and chances are she’ll be moving out when she gets back. I’m not losing her, I’m told. She’s still here, she’s in my heart. Like Philip’s in my heart. Like that’s a comfort – and maybe it should be, but right now, it’s not.
I can’t be logical about Philip’s death. I do go on. I love my daughter; when I see how happy, scared and excited she is to go away, of course I can join her in that. But be proud that she’s leaving? That’s what kids do. I could be a shitty mom, I could be mom-of-the-year; kids leave. What’s to be proud of? She should be proud, for all she’s accomplished, particularly these last few years. I didn’t need her to do any of that to be “proud” of her. I love her; that she is, is enough.
Philip’s dead, Natalie’s leaving. Ed’s moved. I feel diminished and that makes being alone a tortured and terrible place to be. Alone’s where I read, where I write; where I sew, and where I cook. I can’t do what I love without alone-time. Except alone is like being with three people – the one who’s vicious and abusing, the one who feels deserving of abuse, and the one who’s sitting here writing about it. How the fuck am I supposed to sit quietly in a room with that??