Let It Go

Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it
go,
to let it go.

                           –Mary Oliver

Let it go. Not Philip – that isn’t possible, even if I wanted it so. Just let go the rage, the grief, the despair, the emotional flailing because my child has died. My child has died. The most shocking words I have ever said.

The way I better understand this is to say, “no resistance.” “Let it go” sounds like make it go away, make these things we think we owe our dead disappear. That’s not what it means. To not resist is to let it be. Let the grief be. I’ve reached a point where I can think about what that means. Grief isn’t going to go away, nor is anger. When I resist them, it’s like holding on to fiery coals and what happens to hands that cling to fire? They burn. And they burn. And then they burn some more. They won’t stop burning until the hands begin to loosen. The fire doesn’t go away. But the hands, while still hurt, begin to heal, even as they remain forever scarred.

The source of salvation in this world is letting go. To stop resisting what is. I’ve spent my life looking for an answer when it was there in front of me all the time. Salvation comes not from without, but within. It took Philip’s death to catapult me into this wisdom that I was dancing around with before he died.

Letting go is work. It’s not something done once, but once you really do it, there’s no turning back. You forever know the grace of letting go, you know what it feels like, you know it’s a decision in your power to make. When Philip died I said a cosmic fuck you. I didn’t want to know what was then my credo: Accept it, leave it, or change it. The only workable alternative was impossible. Accept it? In my hellish grief, I misunderstood what that meant. Accept it didn’t mean it was okay. It meant grieving but not fighting. It is possible to grieve without fighting. That doesn’t mean I don’t love Philip. And in letting go of the fight, I am free to live in his love.

The month before Philip died I was debating whether to take a Shakespeare class at the local adult school. While I love Shakespeare, it’s difficult to read on my own. It’s in class that the work comes alive. I was ambivalent, and as Philip told me, ambivalence is not nothing. For a month I carried the brochure around, longing but stopping. Until I finally decided to stop stopping and went online to register. The class was full, the fact of which knocked me off my feet and sent me spinning into some fantastical universe. The chattering in my head was unbearable until I finally listened to what that voice was saying:  You’re not good enough, you’re not smart enough, this is Montclair for God’s sake, filled with intellectuals, did you really think they’d let you into their club??

Notice that the voice was saying “you,” not “I.”  What, who, was this voice that drove me into such darkness, such hatred? It didn’t matter. All that mattered was I got it. The only reason I didn’t get into that class was because it took me a month to make a decision. It wasn’t personal. It wasn’t about me. The class was filled. Period.

I let it go –  I took a big, deep breath and let it go. The knot in my stomach didn’t go away, the ground didn’t immediately return to steady me, but there was space around all of I. I saw it was my thoughts that created my reality. I was excited. This was the work and I was doing it. So simple, so profound. And it didn’t mean I wouldn’t come up against something like this again, it just meant I could choose not to get caught in it.

So I looked at the brochure and took note of the date class started. Monday, February 27th. Let me see what I’ll be doing on that day, I thought. Maybe something better will come along.

I couldn’t know that what I’d be doing was giving my son’s eulogy.

Heaven and hell converged that night, and for a long time hell won. Philip’s words to me were never forgotten: Mom, you gotta go deeper. I knew he was right. I didn’t care. He was dead and that’s all that mattered. What I refused to realize was that the greatest teaching in this world would come from from his death. Of course I couldn’t realize – death consumes, strangles, destroys everything in its wake. But it is not for nothing that the phoenix rose from the ashes, its youth renewed, ready for another cycle.

I’m trying to teach you what death isn’t, Philip told me. It isn’t the end – there is no “end.” Not to what matters. Bodies are temporary. Death is change. Change is always uncomfortable because it’s the death of what was. I’m looking for the courage to jump into the void of change. I know what it feels like. I’ve done it. It’s what to do with Philip’s death. Holding my grief is not going to bring him back. Letting it go isn’t a betrayal. And yes, it leaves me vulnerable. To pain as well as to love. But still there’s that knot, past pain tangled up with Philip’s death and I am yet scared to really let go. To fully embrace my son exactly as he is. Still there’s something so terrible about him dying, and something that feels familiar about this sorrow.

At the end of Philip’s eulogy I asked, “Can I love this child of mine without attachment?” In other words, can I love him and not cling to my wretched grief? Even then I knew letting go was the answer, much as it was impossible to do so. Now I do it in bits and pieces as I hold him close to my heart. Because holding onto him feels better than those fiery coals.

© 2015 Denise Smyth

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Something Bigger

Free will and fate. I believe in both. I also believe in karma. Some of this is contradictory, but I’m willing to hold that contradiction because there’s a mystery to life that I cannot know. It’s like I’m standing in front of a gorgeous painting five miles high and ten miles wide but all I can see is the little part in front of me. Out of context, it might not make sense. It doesn’t fully convey what the painter meant. But just because I can’t see the whole of it doesn’t mean it isn’t there, doesn’t mean there isn’t meaning that I can’t grasp.

We all make choices. But there are only a limited amount of choices we can make. It is not true that you can “be” anything you want to be. When I was a kid I desperately wanted to be a singer. I can’t sing. I cursed God for yet another thing He withheld from me. It’s not an option for me to be a rock star or to be president. It’s not an option for me to own a mansion or manage a baseball team. But within life, I have my own choices and those choices create the circumstances where I experience life.

Every moment is where I experience life.

I believe in fate. Philip died because he snorted heroin but that isn’t the whole of it. Looking back at the way death touched both our lives, from the two-year-old who told me his dead grandpa was “in the light” to the way I kept seeing him dead in the months leading up to his death…and looking at what his death has done to me, it’s hard not to see a sort of “supposed to” as part of this. It does not feel entirely wrong that he’s dead, no matter how much I don’t want to accept it.

But there’s something bigger, more pressing, more to the point, because my circumstances are not the point. The way I think about them is. Whatever it is, the question is, What purpose does this serve? Take my job. I’m an administrative assistant, I’m the office manager. But that’s not who I am. It’s not what I do that matters, it’s how I am. Every day’s interactions are a chance to be present or to go to sleep. And I work for someone who is challenges me in this. The difficulty I have in responding to him shows me my real work which is way more important than what I get paid to do.

Last week my boss, Jack, was out of the office and called because needed something from me quickly. His abruptness unnerved me, and here’s where the present dissolved into the past, which means I went to sleep. I became the kid with the forbidding parents who couldn’t do anything right. I panicked because I didn’t think I could find what he needed, and after I did, I told him, “I’m afraid of you.” A few minutes later he called me back. “Look,” he said. “I don’t want you to be afraid of me, I want you to help me.”

Is this someone to be afraid of? I think not. But it’s not about him. It’s about the way my being is affected by him and how I’m going to work through it. It is the working through the difficulties in life, the being-ness that’s there when I do, that matters. A lot of that requires letting go of what I’m resisting to move more fully into life. And it is that letting go that I need practice because one day there will be a final letting go, and if I can’t let go of my boss’ impatience what makes me think I’ll be able to let go for the big one?

Death has lessons to teach us, and not morbid ones. Every time we stop resisting the circumstances of our lives, it prepares us that much more for death. And why not practice for that inevitable moment? Anything you want to do well takes practice. So why not practice what matters? A life lived without contemplating death is a shallow life. It’s made of up desire and accumulation of not only objects, but of people. None of which are real or sustaining, but a way of avoiding. I don’t want to avoid the fact of death, but neither do I want to continually feel like I don’t know how to live. Whatever I’ve come to understand since Philip died, the tangible ways he lets me know he’s around, doesn’t change the fact that I feel I like I lost a limb. Like I’m searching for something but I don’t know what it is. That there are times this still feels like a horror – did he really die, this child of mine? Will I really grow old without him?

Have I not yet learned that life is not predictable and any breath can be my last?

© 2015 Denise Smyth