Days 3-4

I thought that if I had to live with Philip’s death, I could live with anything. Natalie aside, what could matter enough to upset me? What could matter at all? But that’s not true, not really. I don’t think this gypsy life suits me. I’ve been at Kirsten’s since I got back from California, will be here til I find somewhere to live. My dogs are still at my mom’s. My home is a Ghost Town, a huge storage bin for what I have and what I have to get rid of. Last week I had minor surgery with not-so-minor recovery. On my back the whole of the week, I found out the apartment I thought I had fell through, like the job I thought I had fell through. I have no job, I have no apartment was my uncontrollable mantra.

And for a while, I lost my voice.

So things happen for a reason, I’ll land where I’m supposed to. And I can flip all of this on its head because I might have lost my home, but I have friends who’ll take me in. I might have lost my job, but I have some income to help as I look for another. I might feel like I’m walking on shifting ground, but at least there is a ground; I am not as lost as I was a year ago, I’m not traveling in the Netherworld where I lived when I found out that Philip died.

I’m not in the interregnum of Days 3-4. The purgatory before the real hell started. I was out of time, out of mind, out of space; walking beneath roily waters, seeing and hearing and moving in some grotesque aquatic ballet. I looked at people as if I didn’t comprehend, but I did. Denial was never a part of this. My son was dead.

I surfaced when I was spoken to, surprised myself by answering back. Waited a second or two before I went under again, just in case someone was going to say something that mattered, something that had to do with Philip but didn’t have to do with death. But whatever anyone said, all I heard was, Philip is dead Philip is dead Philip is dead. So what was anyone talking to me for, then? It was hideously comic that I was supposed to do a certain type of normal because things needed to be done, phone calls had to made, arrangements had to be taken care of. To Phil I said, “I can’t.” To me he said, “I will.”

Because that’s what men do; they do, and Phil did it all.

What to say about 3-4? I can tell you that Ed came over and my parents came over and my phone rang a lot. I can tell you that after being awake for 38 hours my body took over and I went down for the night.  I can say that with Natalie’s help I materialized at Phil’s on Saturday where there were people milling around and that late in the afternoon, Phil said, “Maybe you should take a shower.”

I looked up at him. “Do you think I should take a shower?”

He looked kind and weary and so very sad and he gently said, “Yes, I do.”

Like a child, I was. Wearing the same clothes I had on since Thursday. Shocked and awed by the magnitude of what happened. Finding myself standing in rooms or sitting in chairs and not knowing how I got there or why I was there or what I was supposed to do. I made no decisions because there wasn’t any me to make them. And the longer that day went on and the more people came and the more hugs and kisses and tears made Philip more dead. Maybe no one should have come. Maybe if I hadn’t called anyone and sat quietly for a while there was a chance something could have changed. We didn’t give it a chance; we told people and they came with their bruised hearts and stunned disbelief and they made it impossible for Philip to come home. His death had taken on a life of its own.

© 2013 Denise Smyth

No Way Out

I’m on a crying jag; I’ve a lot going on, and it keeps hitting me that Philip has died. I can’t even say, “is dead.” And people are kind, and that makes me cry even more. Yesterday I wrote to Lucia, Elizabeth Blue’s mom, “And I am overwhelmed at the moment; Lucia, I miss him so. Sometimes I feel like I’m being slowly strangled. I try to remind myself that the moment when I face death I’m going to think it all went so quickly, so let me love my son where he is and my daughter where she is. None of us are here forever. But when I miss him like this, that’s exactly what it feels like. “ And in the worst possible sense.

Which brings me back to Elizabeth Blue’s incredibly prescient and powerful, “Bird’s Nest.” In part:

“Five days ago I watched two birds mate.
Yesterday I watched as they began
in unison
to build their nest.

Today it occurs to me
that I will be gone
by the time they lay eggs
and the eggs make way
for the new life
within them.

Today it occurs to me that I will be gone
The lines between body and land have blurred
and the land will miss my body.
Perhaps it will be lonely
I think it will weep.
I think it will miss me
more than my mind or body
could miss it,”

Reading that poem is like watching Elizabeth discovering something, and what a something.  Nature has much to teach us, if we pay attention. How often we don’t because we’re so busy thinking, as if thinking is going to solve our problem when it mostly is our problem. The mind, it is said, is a wonderful servant, but a terrible master.

Elizabeth recognized that maybe the world needs us more than we need it. How different from raging at death because this goddamn world gets to go on while we or those we love do not.  But what is the world, if we are not there to witness is? A world of form requires our recognition. It’s such a big place, this world, such an overwhelming place. And the terror of death is that we’re leaving it behind, and it still gets to be, while we turn to dust. Or does it?

Life is relentless. Death isn’t enough to stop it, but it’s more than enough to wreck those of us who are here to witness it. This is what I mean: maybe death is forcing us to confront just what we think Life is. Forcing us, because we don’t like to think about death. And if we don’t think about death we will become shallow and brittle because nothing will matter except what we look like, what we have, whatever is external to us, whatever draws us farther from ourselves.

I am aching, aching for Philip. Try telling that part of me that, “Death isn’t enough to stop it.” But there’s another part of me that’s struggling with faith and acceptance and the certainty that there’s something else going on, stuggling to understand it and articulate it in a meaningful way.  And there is my constant communication with Philip, who is there for me in a very real way, and who’s been teaching me things always.

I was never afraid of childbirth. In high school I’d  tell my friends, “I’ll have the babies, but you have to raise them.” Back then, I didn’t much like kids, couldn’t imagine even liking my own. But labor seemed like an act of bravery, a jump into the void; confronting the uncontrollable, wondering if I’d come out the other side.

When I was pregnant, I felt the same (about labor – not kids). My kids were born at home with no doctors telling me what to do, no fetal monitors strapped around me, no someone I didn’t trust directing me. I was searching for authenticity through my femininity, and what could be more feminine than giving birth? I wanted to deliver my child with the help of a midwife who trusted that my body could do what it was supposed to, and who knew what to do if it didn’t. I wanted a woman to help me give birth, one who had borne  a child of her own. Barbara, my midwife, turned out to be that person.

Since attitude is supposed to affect experience, I thought my good one meant labor wouldn’t hurt too much. I might’ve gone in blind, but at least I went bravely. Labor was ferociously, savagely painful; I was scared. I let loose with moaning and yelling and pleading for Barbara not to leave me. Of course she didn’t leave me. Even when I bit her. I wasn’t in control of what my body was doing, how it was doing it, or the pain I felt. I couldn’t say, “Could we just take a break and rest for a few minutes please?” Labor is the relentless force of Life as it takes shape, and in those terrible moments I realized there was no way out but through.

That’s what Philip taught me during his birth, and what he’s trying to teach me through his death. Thing is, when labor ended my son was born, the pain was gone, and every second of it was worth it. What of Philip’s death, then? What kind of “end” could there be; what do I get to hold in my arms, what will ever make me say this pain was worth it? I’ve been told now it’s me that’s being born. It’s not enough. I feel less than I ever was without him here because he took a part of me with him when he went.

He brought me full circle, this child of mine. See, I understand why women choose not to feel that pain. But had I chosen differently, I would not have had his guidance then, and I wouldn’t have been able to see that he’s helping me now. Because I do see it, even if I don’t always accept it.

© 2013 Denise Smyth

The Place of No Goodbyes

I don’t usually post twice, but I had a lot of down time today…so lucky you! (heh)

Actually, I’d been talking to some people about this and so thought I’d post it. A couple months after Philip died, Phil and I joined an 8-week parents’ bereavement group. We met once a week, and the therapist who ran it would sometimes give us assignments to do, if we wanted. Like the first was to bring in pictures of our children to share with each other.

The second meeting she asked us to go home and write a letter to our child, then write one back from her/him. We could bring them in the following week to read out loud, if we wanted. I thought that was a good idea, and I did it. I’m posting the letters here – they’re not very long. What’s most striking to me is that when I went to write Philip’s letter, “I” wasn’t writing it. I was listening to him, taking dictation. And I find the last line particularly lovely. It contains a phrase I’ve never heard before, a little gift from Philip.

I’ve mentioned that I keep journals where I write down what he’s saying. This is what gave me the idea. It’s a valuable tool, something anyone can do to try to reach a loved one. And even if you don’t think you’ve “reached” them, chances are you’ll feel how much they love you as you write what you know they’d be saying.

So these are our letters, dated April 23, 2012, exactly two months to the day that Philip died:

Hey you,

I feel kinda weird writing this because now you know what goes on with me more than when you were here. What can I tell you that you don’t already know? I miss you, to borrow a phrase, truly madly deeply. I can’t accept that you’re not here and we both know that’s what I have to do; that’s my work in this life of mine. But I don’t think I can, nor do I want to. I’m like a child who had something taken from her and thinks tears and tantrums will help her get it back. I’m afraid if I stop crying, you’ll really be dead. This grief binds me to you like a live wire and I don’t know how to let it go. What will be there, then? What good to say that’s not our real bond, that there won’t be a void? My body says otherwise. My stomach churns and my chest is tight and the tears are in the back of my throat when they’re not being cried. There’s nothing that isn’t colored by your death. Your death – what does that mean? If I am to give meaning to my life, how am I supposed to do that with you gone? How do I bear the unbearable? I don’t know what to do with this rage and sorrow. I can’t undo what’s done and I am helpless here.

Everyone says time. And the world keeps spinning as if you’re still here. The world doesn’t care. I’m responsible for my inner state but I keep going down the rabbit hole in free fall. Then I stop for a while, then I go down again. It’s like that movie Ground Hog Day; I keep waking up and you’re not here. And I keep getting desperate for someone to tell me what to do. No one can tell me what to do; there isn’t anything to “do.” Because what I want is you to be here and you’re not and I don’t know how to live with you gone.

I love you. Your turn.

Hi Mom,

I love you, too; I didn’t used to call to tell you that in the middle of the night for nothing. I’m still here and you know it. I told you we were growing up together, and now you’ve got to finish what we started. You knew soon as you heard I was gone that the work you were doing was what you had to keep doing. You’ll get there. You know that under it all there’s a floor – there’s a place of peace that abides in you as it abides in everyone. I know how hard it is for you to be happy. It made me sad, sometimes, that you felt things were so hard for you. And I know I was a respite from that; I still am. It’s like we’re more in touch than ever. You certainly think about me more than you used to. You talk to me more, too. Have a little faith. You’ll see. I’m still the light you always thought I was; I didn’t go out, as you keep saying. You just have to look a little harder. The light’s all around you even though you feel you’re in the dark. Light is stronger than dark, mom. When the light shines, the darkness goes away. Think of the light you felt from me and live in it. Just a little, like when you crack the door open, until you’re ready for more. You’re afraid; you don’t need to be. The light is where the peace is and where I am. I’m sorry for your grief but this is what is. You know what that means and what to do about it. For the rest of it, you’ll figure it out. I’ll be right behind you as you do. Watch how this unfolds. You’ll be amazed, if you let yourself.

Okay? So I love you. I’m in the place of no good-byes so we can talk whenever we want to.

© 2013 Denise Smyth

It’s What I Have

I have stories since Philip died, stories about the way he’s still in my life, what I hear him say and how I hear him say it. I’m blessed because really, he’s always around. It’s not weird or spooky, either. I just talk to him in my head, and he talks back. I also keep journals where I’ll listen to what he’s saying and write it down. Call it Philip, call it my love for him allowing me to tap into a deeper wisdom that’s “inside” me, a wisdom that’s available to anyone who’s willing to seek it – no matter. To me it’s Philip, to me it’s part of the bond I have with him.

I’m mentioning this because I just read a post on behindthemaskofabuse about a lost dog, which reminded me of something and I’m in the mood to write about something that makes me smile. I have a wanting to be chronological about things, but if you follow along at all, I’m not, not really. Theres’s a narrative thread but it comes out as it does. I’m not in control. The writing sort of leads me, and I get it out best I can.

This happened a couple months ago, when it was still getting dark by 7:30 here on the east coast. I’d been working on a post and felt stuck, when something told me to take a break and go for a walk. Now, we all have intuition that we’d do well to pay attention to, and the more we do, the stronger it gets. Me? Meh. I don’t listen as much as I’d like. And in spite of the fact that when I walk, the writing comes rolling through my brain, I didn’t want to go. I’m a homebody. Stick me on my couch with my books and my computer and a basket of knitting nearby, and I’m good to go. Er, to stay. So I’m ambivalent; if I need a break from writing I can just stop, what’s with the going out business? But since I’m trying to pay attention to that “little voice” inside of me, I said to the doggies, guys – let’s go.

(Have I said anything about my dogs other than that they’re my dogs? I have two shih-tzus, Zoe and Pippin, and one day I’ll get my act together and post some pictures of them.)

It was probably around 7:00, probably just before the gloaming , and I decided since we’re going for a walk, it would be a long one. We could all use the exercise. Before going downstairs, I went looking for my wallet. I didn’t need it to go out, I just realized I didn’t know where it was which makes me crazy so I started running around looking for it. And I asked Philip where it was because I cannot begin to count the times I’ve asked him where things were and then promptly found them.

Not this time.

Downstairs I went with the dogs, and I started running around there, too, frustrated because I couldn’t find it and really frustrated because Philip wasn’t helping. Then I ran back upstairs and looked again, and again back downstairs. Then I remembered I had laundry in the washer in the basement that needed to go into the dryer so I went to do that, hoping that when I came back up I’d find my wallet.

Nope.

By then it was almost 8:00. I decided to just cut it out, forget about it, ask Natalie to help me look when she got home from gymnastics. I leashed up the dogs and went out, thinking I’d still go for a long walk because even though it was now dark, it was warm outside. I took my time heading toward the corner where I wanted to turn, letting the dogs sniff and pee because once I started walking, I wasn’t stopping. So they’re rooting around the grass and I’m stargazing and that’s when I felt a tug. Looking down, there was a little doggy, sort of like a Boston Terrier but mostly all black, sniffing around with my two. She wore a pink harness, without a tag. There was no one around but me. And while it occurred to me to just go on ahead with my walk, the saner part of me realized you don’t leave a dog out in the dark that looks like she doesn’t belong there. This one definitely did not belong there. So I took Zoe’s leash off and put it on Stray Dog, because Zoe – being a girl and all – would not leave my side, while Pippin – being a somewhat blind, somewhat deaf boy and all – wouldn’t have noticed I was gone until he found himself staring up at the bottom of my neighbor’s Lexus.

First thing I did was ring the bell of the house we were standing in front of, thinking maybe she escaped from there. The woman that answered never saw her. Next I asked some guy who happened to be walking his own dog on the other side of the street – he couldn’t even see her in the dark, much less know who she belonged to. So I decided to bring her home for the night, call the police to let them know in case someone was looking for her, and deal with what to do with her the next day.

The four of us turned to walk back home, moving real slow in case someone happened by looking for her. Sure enough, I saw a van come onto my block, driving slowly, window opened. Hey, I yelled as he got near, are you looking for a dog?

Turned out he’d been driving around for half an hour looking for his dog, thank you very much. We briefly chatted about how she got away, where all he’d been looking for her. I was just glad I had her because he lived on this side of Bloomfield-major-thruway-Avenue and he was looking on the other side of Bloomfield-major-thruway-Avenue and had he found her on that side, it might have been in various, scattered body parts. Off they went and I was happy to have done my good deed for the day.

I turned back again to head toward the corner, unsure of what to do. I’d been out a while and maybe it was enough. Or maybe not. Maybe I should go for a short walk. Or maybe not. Maybe I should stay on my block. Or maybe not. And while I’m dithering over this most important decision, I heard Philip say, “Mom, you know what to do.”

I’m going home, aren’t I? I felt him smile.

And I’m going to find my wallet when I get there, aren’t I?

You get why you didn’t find it sooner, he asked?

Of course I went home and of course it was there, right there on the first floor, right on the table where I’d left it.

The story I’m telling about Philip and me doesn’t have a simple narrative. It could start and end with the story of his death, but it doesn’t. It’s a living story that keeps evolving even as I’m writing. There are happy things along the way, there are clear ways I know Philip is around and many ways he makes me smile. Not least of all do I rely on his confidence, encouragement and wisdom. I am blessed with this easy access. If Philip had to die, this was the best way it could be turning out.

But that’s just it. Philip has died. The other day I wrote to Ed, “When Philip died…” and if I wasn’t already sitting I would’ve been knocked on my ass. Did I really just write that? Will it ever stop shocking me? Because in all the ways life’s swirling around me and in all the ways I imagine it turning out, the one mad true thing in all of it is that Philip is dead. Please, I want to say; please. Please what, please to whom? I’d made sure to remind my kids that “please” was not the magic word they might’ve heard it was. Using it didn’t mean you got what you wanted, it was just the civilized way to ask for it.

And if the answers to my please are the living connections I make along the way, then there’s where I need to place my faith. For sure that’s what my son is asking of me, for sure it just doesn’t feel like enough. Please, then, may it be, because it’s what I have.

© 2013 Denise Smyth

So Tell Me

From Fourth of July:

Today is Natalie’s birthday; Happy Birthday to you, my sweet girl. I love you so.

Today I found us an apartment; Happy Birthday again, Natalie. It’s small, but we’ll make it work. It’s located exactly where we want to be, the rent is okay, and – the big one – they’ll take the dogs. Around here, that’s a Godsend. My application is in and I’m waiting for approval. The manager who showed me around wants us there. Assuming all goes well, we’ll move August 1st.

Today, I’m wondering how it got to be July again, without Philip. I didn’t want to use this blog to whine, but here I am. I think of him, my stomach churns, the tears at the back of my eyes spring forth, my voice has to fight its way out of my throat and the dark place is all there is. Natalie just turned 20; she’s closing in on him and I’m scared. One day she will be older than him. Do I have to add, ‘God willing?’ And I think I say this stuff because I’m reaching out for help, and I know people care, but no one can take this from me because if they took my grief, they’d take my love. And there is nothing that can “take” my love for Philip.

                                                    *******************************************************************

 So I piece together all that has happened and continues to happen. It’s the grace of connection I’m yearning for, the light of meaning, the knowing of what it is I am waking up for. My son – I don’t know how to live with him dead because the feeling is too much to bear. But these bits and pieces along the way tell a story, a story whose meaning I’m struggling to find and whose end won’t come until my own does. If, even, then. I’ve talked about some of it already: Philip, not yet two, saying his grandpa was, In the light;” the day at the beach, when I almost lost him; the desperate need I had that last year to let him know how goddamn much I loved him;  my “all bets are off” conversation with Natalie; my “dead in a ditch” message, which ironically enough makes me smile because that’s the sort of joke Philip and I would laugh at. And I feel him, smiling back at me.

Then the fact of where I was at spiritually, emotionally, psychically. For the six months or so leading to his death, I’d crossed a line, chosen to live, chosen to stop asking why I was here and accepted the fact that I was. Tried to figure out what I wanted to with the life I was given. Began to understand my inner state was up to me, that my emotions did not, in fact, control me. And I had the tools to work with all of this. Take a breath, take a mental step back from inner turmoil, look at it. No resistance, I’d say, which is the same as “accept it” except those words meant something to me in a way “accept it” didn’t. “No resistance” was a big, deep breath to which I had a physical response. My chest would relax, my arms and shoulders followed. My stomach remained tense and knotted. My stomach was always knotted; it was a question of it being background tension or being whacked-in-the-solar-plexus tension. “No resistance” helped me manage myself.

And, of course, I kept reminding myself, “Accept it, leave it, or change it.”

A year before Philip died, when he was a second-term sophomore, he took a creative writing class. He liked me to read his work and one day sent me an essay about a kid walking down the street, high on LSD, what this kid saw, what he felt like. Shit, I thought.

A week later he came to visit. You know that story I sent you, he asked? That kid walking down the street? That was me.

Well, duh.

“Philip,” I said, “listen; I know you drink, but now you’re doing drugs. Drugs are dangerous. I can’t force you not to take them, but I am asking you please, please, do not do drugs.”

To which he said that he’d done LSD twice, that he didn’t like it, wasn’t going to do it any more, not to worry.

“This is great,” I answered. “I’m your mom, you tell me this stuff, I can’t do anything about it, and when they find you dead of an overdose, they’ll blame me.”

We laughed.

And then there’s this:

The months leading up to Philip’s death, I kept seeing him dead. An image of him would float up in my mind, from the waist up, in a soft yellow button-down shirt (??), his eyes closed,  dead. I didn’t get upset, didn’t think I was having a premonition. I just saw him, dismissed it. Except for the couple times I thought about it a bit, thought about myself at his wake, pictured myself waist down, wearing exactly what it was I wound up wearing when I was actually there. And when I pictured myself, I wondered how I would act. If I truly understood “accept it, leave it, change it.” Because if I did, I’d have to be at peace. But how would it really be?

Since I’m not Jesus or Buddha, I’ll tell you how it really was. I was wrecked. I walked into that funeral home with Phil and Natalie and my brother and outside the room he was in was a plaque that read, “Philip Smyth Jr.” which made me just a little more sick and a little more dizzy.  The name that so touched me when I saw it on a birth certificate or passport or high school diploma or fencing award or even in his own uneven handwriting, now turned on me. Are you telling me that the last time I saw my son we were saying good-bye in the restaurant where we’d just eaten dinner, and the next time I’ll see him is when I walk through that door and he’s lying a coffin? Phil went in first. I waited a minute to follow. And there he was, handsome boy, lying dead, looking exactly like he always did and I fell to my knees and sobbed and all the wide world was Philip, dead. There was no life in that body. What am I to do with this? What the fuck is this? What does it mean to be dead? That’s not an academic question, it’s a blood-and-guts question because Philip was just here, just around to talk to and laugh with and eat with and hug and just like that he wasn’t. So where was he? Don’t tell me he’s in my heart, don’t do that. Of course he’s in my heart, he’s my son. He has been in my heart since the night I woke from my sleep and heard  – I heard – the whisper in my ear: you’re pregnant. It is not enough that he’s in my heart. He has to be where I can touch him, watch him, call him, hold him. Where I can feel he protects me because I know he’s got my back. What is this dead body, what has this to do with my son? I am his mother, I carried him alone before he was born and I’ll carry him alone now that he’s dead. Don’t tell me you’re there to help me because I don’t even know what you’re talking about. If the dictionary-def of help is, “to give or provide what is necessary to..satisfy a need,” then tell me what can be done to bring my son home because that – that – is my need.

So tell me what you’re going to do to help me, and don’t leave me alone when I say that you can’t.

© 2013 Denise Smyth

I Just Don’t See How

I am glad to have had this week away. The timing couldn’t have been better. Nadiya is selling the house and Natalie and I have to move. It’s a huge, elegant house, the kind of house that has to be “staged.” Nadiya already bought an apartment where she’s moved her dog and three cats, and where she now mostly lives. She’s turned the house over to the realtors, who are in the business of making the most  money they can in a way that I find creepy.

I have nothing against making money. Money is good. But me and my daughter and certainly my dogs don’t figure into the realtors’ plans. They want us gone, which is the only issue where Nadiya has set her foot down. We can stay right up to closing if that’s how long it takes us to find an apartment. But to the realtors, Natalie and I are “The Third Floor” and “The Sewing Room” and “The Other Bedroom” and I don’t think the clear but angry email I sent to remind them we are actual human beings changed any minds. We were told what to pack up and what of our furniture would be moved. We are living out of boxes. This weekend was the Big Showing. When we got home from California Friday after midnight, we drove straight to my friend Kirsten’s for the weekend so that not so much as a toothbrush was in view or (God forbid) a stray hair was on the sink to remind anyone that we live there.

I’ve left the dogs with my mom for the week, and I’ve been put on notice that when the house is to be shown we are not to be there. When Natalie and I are both out of the house, we are not allowed to leave the dogs. The painters informed Nadiya that the dogs regularly poop on the third floor. We live on the third floor. I would know if the dogs “regularly” pooped up there. If  one of them pooped when the painters were there, s/he probably had an upset stomach in which case Nature wasn’t calling, She was screaming.

I haven’t worked full-time since Philip died, but now I have to. Turns out the job I found is temporary, so I have to look for employment elsewhere. I’m looking at apartments I don’t know if I can afford and that will please allow my dogs and please leave me money for food once I pay the rent. If I take a job with a shelf-life, what do I do with two dogs, a daughter and an extravagant rent when it expires?

And I hear my son saying, “Have a little faith, mom. It’s okay.”

I’m doing what I’m supposed to be doing: I’m looking for a job and looking for an apartment and I’m looking for a reason to think any of this will be okay because none of it is going the way I am wanting it to go. I’m scared and I remember a couple weeks ago that Ron, over at the xanax diary, wrote, “…life isn’t really about the good times, the celebrations or victories. Life is really about the struggles we face and how we face them.”

I am not facing this well. I just don’t see how this works out, and reminding myself that my portion is no worse than anyone else’s is no help because all that means is things can get worse.

You work your faith – whatever it looks like to you – when things get rough. It’s easy to have faith with a son who has your back and a daughter by your side, a job that’s comfortable and a place to live you call “home.” I don’t think I’m going to look back on this and be proud of myself. Last week, finding out the job was temporary put me into a semi-coma, where I remained for the second half of Natalie’s competition and for which she called me out.

“I asked one thing of you,” she said. “Just to be here to calm my crazies. I need to be able to come to you. I saw you across the floor at the gym. You looked like death. And I was on my own.”

She’s right. I got unexpected news that I did not want to hear and instead of going all Krishnamurti on it, I panicked. I’ve already said worrying doesn’t prevent anything, it just makes you miserable before the inevitable. Seems I’m unable to follow my own advice, especially where money is concerned.

What I’ve left out of the equation is Life. That the things that happen unexpectedly don’t always break your heart. I went to see my grief counselor yesterday. We talked about work. What does Philip tell you? he asked. All he says is, “bake.” I answered. I walked out of there deciding to get back to it, to start making cakes for a restaurant that’s given me a standing order and to take it from there. Then Natalie called. Want to have dinner, she asked?

So she, James and I sat down to dinner at the new upscale diner with a menu that included wraps, veggie burgers, all-day-long breakfast and the ubiquitous panini. When we finished eating, a man who worked there came to ask how it was. Are you the owner? I asked. I’m one of them, he answered. Do you need a baker, I asked?

He introduced me to his dad, who said they’re going to need a baker at the seventh restaurant they’re opening, and for now I should bring them some cakes and we’ll take it from there. As I’m writing this I’m waiting for the first one to cool so I can bring it over.

You’d think I’d trust Life a little more, especially with Philip whispering in my ear. Panicking is familiar, and it’s still what I do. There’s more to this, of course, more to Life and its mysterious ways as I’ve experienced them, particularly with respect to my son. And in my next post, I’m going to talk about some of it.

© 2013 Denise Smyth

Suffering is Optional?

I started this post on a plane to Palm Springs, California. Natalie’s a gymnast, and is competing at World Championships. We both giggle at the name; it’s true that it’s worldwide, but while it sounds like it’s important enough to be televised, the only cameras that’ll be there are the ones all the parents have brought.  Still, there are talented gymnasts competing, and I’m proud to say that Natalie is one of them.

The last time I was on a plane was May, 2012, three months after Philip died. My so-always-so-generous cousin Maria took  me and Natalie for a long weekend to Key Biscayne in Florida, right outside of South Beach, Miami. Maria and I were both born in April; “For our birthdays, we’ll go,” she said. Like a sad little puppy I followed, not knowing what I should or shouldn’t do but hoping that if someone was taking care of me, it would somehow please make me better.

I’d heard much about the beauty of the Keys, the glamour of South Beach, Miami. We were staying at the Hilton, large and elegant with ginormous flower arrangements in the lobby and crystal bowls of glossy green and red apples for the taking. Maria booked one room for me and Natalie, and stayed in another with her daughter, Gina. Leaning over the railing on our 10th floor terrace, I could see the bay a ways off. A parking lot was to my left, with hotels in all directions. Below, palm trees and such lined the circular drive that was busy with idling buses briskly greeted by courteous, uniformed attendants. Their willingness-to-please was exhausting.

I thought my sense of beauty might’ve died along with Philip, but I suspected not. Whatever beauty drew people here was buried under the massive amount of building it took to support them when they came. But just in case I was missing something, when Natalie joined me on the terrace I asked her if she thought the view was beautiful. “Hell no,” she answered.

Then our trip to South Beach, which was awful. Our cab driver let us off on Ocean Drive. This is the real South Beach, he’d said. It’s 1.3 miles of hotels, restaurants and shops which look as classy as Fifth Avenue New York in pictures but are a few steps above seedy when you’re walking past them at 7:30pm just-after-tourist-season. Music was blaring from each of the crowded, canopied restaurants that lined the street, which was impossible to navigate. Natalie and I crossed to walk on the opposite side – the beach side – giving us I suppose a better view of the much-touted Art Deco designed buildings, which my unsophisticated eye saw as run-down. We continued to Lincoln Avenue, where the concierge at the Hilton suggested we go. It was an outdoor mall like every other outdoor mall that’s been popping up in America, with a broad street closed to traffic, chain stores I don’t have to vacation to shop in and restaurants who employ people to stand outside to try to coax you in with extended Happy Hours and two-for-the-price-of-one entrees.

I suffer from tourist-itis. I don’t go away much, and when I do, I remain a perpetual tourist, feeling like I don’t belong, looking for something I can’t find, thinking if I follow the signs that lead to The Village there’ll be something old and authentic, something that isn’t a bunch of chain stores with different facades to match the climate. I can’t even find a place to walk beyond the hotel, never mind trying to find something to do besides what’s offered in the brochures of endless attractions. It’s the soul of the place I want to find – is it in the side streets, the surrounding neighborhoods, in the parks, on a mountain, on a trail? It’s like some big secret that the kind of people I envy know about. But I think it’s my own soul I’m searching for and if I can’t find it inside of me, I’m not going to find it outside of me, either.

This searching is no longer an abstraction. I am sick from grief. My insides keep folding in on themselves and I’ve not stopped asking myself just how I am supposed to live without my son. Natalie and I went to lunch after we landed. There was an elderly couple in a booth to my right, deep in conversation for the entire time we were there. And another elderly couple in front of me, sitting side by side at a table made for ten, more interested in their food than each other. He was a handsome man with his silver hair and beard, decisively pushing around the food on his plate, intent on which was the next bite he’d be chewing. She was pale and birdlike, her mouth gently turned down at the corners, slowly chewing food that I never once saw her put in her mouth. In her I saw the result of my long, long life without Philip. She is unhappy, I cried to Natalie when we left. And I am unhappy; how can I be okay without Philip?

Why do you do that, Natalie asked? Why are you paying attention to the couple you think is unhappy instead of the couple who couldn’t stop talking to each other? You are not going to be okay because you are okay.  It’s not a place you get to. It’s where you are, right now.

Part of me thinks she’s right and part of me is screaming you don’t know, no one knows, because you can’t be inside me and feel what this feels like. Am I supposed to take heart because so many are suffering and so many go on? I can’t, not in the way that other shared experiences might buoy me. But it is humbling, for sure; that I could feel so unbearably isolated and unnervingly grieved while knowing that every day people are suffering this, and worse. That my portion of pain isn’t any more extraordinary than anyone else’s. Pain, they say, is inevitable. Suffering is optional.

If so, I am choosing wrongly and feel helpless to do otherwise.

© 2013 Denise Smyth

The Risk I Took

Here’s how I know I’m getting better:

A couple weeks ago, I was at Cindy’s house when her decorator-friend came to put up some curtains. DF and I were alone, so I asked her about her life instead of talking about mine (that’s number one). I asked her how she got into the decorating business, not about how many kids she had (numbers two and three). And then – number four, the really big one – when she (through no prompting on my part) said, “I miss my son,” and I asked, “Why?” and she said, “He went overseas for a term to study Arabic and now that he’ll be home in a week, I realize just how much I miss him,” I did not say, “Lady, you don’t know how fucking lucky you are.”

And on a maybe more minor note (maybe), when Cindy’s, em, “friend,” found out the wrist she thought was sprained was actually broken and required six weeks in a cast followed by physical therapy and characterized the whole freakin’ thing as “A Nightmare,” I did not ask her how many of her three children were still alive since, well – oh wait; they all are.

Of course, then there’s days like Friday, when I spent four morning hours watching the final season of “The Big C – Hereafter” and then cried to  Rene, the construction guy who was  in my TV room fixing some water damage on the ceiling. It wasn’t Laura Linney’s fault. If I’m watching morning TV I’m already gone. Turns out Rene had a daughter with his first wife and she died the day after she was born. He’s remarried and has no kids and I’m sure he had hours worth of story to tell me, but how do I ask when I don’t know if he’d want to tell? “Not everyone’s like you, mom,” Natalie likes to say when she thinks I’m too quick to share what she considers private.

It’s just that I’m as interested in other people’s stories as I am in my own. I want to be in your world for a while, to see it the way you do because even if it’s in some small way, I will recognize me and that means we are connected. Once I asked someone I cared very much for if I was still there if he didn’t see me. I knew I was pleading for something he couldn’t give me. Now I know I need to see as much as I need to be seen. I need to tell you about Philip as much as I need you to tell me what’s true and authentic in your life because if I cannot live in what’s true and authentic, even if the true and authentic is grief, then I will become one of the walking dead and that is not what Philip wants.

What Philip “wants?” After Philip died, Phil said to me that he wanted to carry Philip’s kind and generous spirit into the world and that I should too; that Philip would not want me to be in the grief I was in.

“How do you know what he wants?” I shot back. “Maybe he’s lonely. Maybe he wants company. Maybe he wants me with him.”

Phil didn’t answer, but months later he told me that after I said that, he thought, she is fucked up.

But here’s the thing. Some point during The Wilderness of the two days between when Philip lay dead in his room and then dead in a coffin, I was out driving somewhere for something.  Stopped for a red light at the corner of Park and Chestnut in front of  Montclair High School, I thought, I am done. I have had it. I am going to do it. I don’t know how, but I will do it. I have had it; I have had enough. And for the second time I heard my son and he said, “Mom, you have to find the joy. It doesn’t work that way.”

I knew what he meant. I knew that whatever it was I had to work out, I had to work it out where I was and that killing myself wouldn’t matter. I had to work this out. And Philip asked me if I wanted to take the way I was feeling, pick it up and give it to Natalie. Because that’s what killing myself would do. And I had this weird vision, like I’d crossed over and was standing next to Philip, unable to get to Natalie, and the grief I carried was now for her.

See, I took a risk. I took the risk of having children and what I had was one that was dead and one that was alive and needed me. I chose that responsibility –  I chose it. But all that made me feel was trapped. It was my love for Natalie that would give me the strength to lay my burden down, but I couldn’t feel it. The heart that loved was gone; without it, where could I find what I was supposed to give her?

“For I am just a troubled soul
Who’s weighted…
Weighted to the ground
Give me the strength to carry on
Till I can lay my burden down
Give me the strength to lay this burden down down down
Give me the strength to lay it down.”

From “Little Bird” by Annie Lennox

© 2013 Denise Smyth

What I Chose

“When I chose to live
there was no joy
it’s just a line that I crossed
It wasn’t worth the pain my death would cost,
so I was not lost or found.”
–Dar Williams

Two weeks before Philip died, Natalie and I were talking. It was a Sunday night, and we were headed south on the  New Jersey Turnpike, driving back to Rutgers. Some weekends she’d take the train from there to New York City to visit her boyfriend, James, at Columbia University. On Sunday, she’d take the train home to Montclair. We’d have dinner, then I’d drive her back to Rutgers. I liked that time with her. I liked any time with her. Driving home, I’d think about the things we’d spoken about.

It was good.

That particular night, we were on the subject of stability. Or lack thereof. How nothing would be here forever. This highway won’t be here one day, I told her; this car we’re riding in – gone. Nothing stays the same. Including us. We won’t be here one day, either.

And then I said something like , as far as  what happens when we die – who the hell knows? But I believe something remains. I think the energy that animates us remains. I’m not talking about heaven or hell, reincarnation or afterlife. I don’t know what I think about any of that. But I do think something remains, and that’s as far as I’ve gotten.

“Of course, if anything happens to you or Philip,” I added, “All bets are off.”

Naturally I’d say that. What parent wouldn’t? My kids’ dying was an abstraction, something I knew would be nightmarish but I didn’t really know.  Thinking back on all that’s happened is sort of like watching a movie. In the theater, you sit in the dark and you know something bad’s going to happen. The damn rabbit’s too cute not to end up dead, even if you didn’t know it’d be boiled.

What a relief; it’s not us. Even better when it turns out well, when they don’t get divorced and he’s learned his lesson and the kid gets another rabbit and and we get what we think is a Happily Ever After. Afterward, back in the sunlight, we adjust our vision, our world safe because the bad’s already happened and been resolved and what we don’t realize is that the ruby red sands of time are running out on us. And our kids, and everyone-and-thing we care about.

On February 23rd, 2012, I did not yet know things were converging, things were in motion, things I couldn’t imagine. Choices were being made, choices that could create life or destroy it. And before 10:00pm or so, this was my mental/emotional/spiritual condition: I’d finally decided to start living life instead of fighting it. Not because the thunderbolt of enlightenment finally zapped me awake, but because I’d had enough of wondering what the hell I was here for. What did matter? Point is I was here, and it was up to me what I did with what I was given. I chose life, and it was a choice I had to make every day. I knew I was part of something greater than me, something maybe people called God but I called Life. That maybe I couldn’t see the why of things, but there was some sort of order and my part was to accept it, leave it, or change it. That was my version of faith. I was workin’ it. And on February 23rd, 2012, I was workin’ the shit out of it as my son lay dead in his room, and I didn’t, couldn’t, know that the hell I thought I didn’t believe in was headed my way.

© 2013 Denise Smyth

What I Know

I haven’t talked about this part of the story because it’s fucking hard to write. Harder than screaming down the stairs and pulling my hair and drowning in my cousin’s coat and all of it because that was about me. This is about Philip and what I know and what I imagine and I’m skittish as a cat about what it sounds like. This part’s focal point involves heroin, which is so Requiem For A Dream-ish that maybe it leaves nothing but Jennifer Connelly on her hands and knees and Jared Leto’s gruesome, festering, amputated arm as your tableau vivant.

This is what I know:  The night of February 21st, 2012, in celebration of the unfortunately-named Fat Tuesday, Philip went to a party. Last thing Natalia said to him was, “Don’t do anything stupid.” He did. Last thing he said back was, “I’ll call you in the morning.” He didn’t. At the party, he drank. Back home, he went into his room, locked the door, snorted some heroin. Wednesday he didn’t show up for lunch with Natalie. Thursday night, Max,* a housemate and Philip’s friend since elementary school, asked another housemate if he’d seen Philip, that Philip’s car was in the yard and hadn’t been moved in a while. The two of them went to his room, found it locked, broke into it, and saw him lying on the floor. Max started yelling, one of them called 911. The operator asked them to touch him, check his pulse, but Max was yelling and saying he couldn’t; he told me he tried to touch Philip with his foot, that he was freaked out.

‘’He was my friend since I was a kid,” he told me; “He was my best friend, and I found  him. How am I supposed to live with that?” So at the wake, when Max cried and said to me, “It’s my fault, I’m the one who brought it into the house, I’m the one who gave it to him,” I answered, “Look, you didn’t shove it up his nose. You can’t spend the rest of your life feeling guilty about it.”

A week later, raw as if my skin’d been peeled off with a razor, maybe I was thinking Max should feel guilty. I called him up to ask him why he didn’t tell the cops where he got the heroin. I’d get in trouble, he answered.  Well maybe if you told them, I answered, some next kid wouldn’t have to find his best friend dead and some next kid’s mother, father and sister wouldn’t have to spend the rest of their lives suffering about it. And if you don’t, I added, you get to spend the rest of your living with it.

I didn’t consider what I was really asking, that ratting on a heroin dealer isn’t like turning in the creep on the corner selling $2 joints, that we’re talking some serious Sopranos-type shit here. I saw Max, a couple months later, working behind the counter of a convenience store with narrow aisles lined with canned Vienna Sausage and 3.5 ounce containers of Bumblebee Chunk Tuna,  the counter crammed with Tic-Tacs and Tastykake Honey Buns and where there was always at least one customer doing some serious Lottery Ticket Buying. How are you, he asked. How do you think I am, I answered. And in case you’re wondering, when I got to back my car and sat gripping the steering wheel like a Mac truck was coming at me, thinking how Max had started the whole heroin thing and wondering if Philip’d be alive if he hadn’t, I did not wish that it had been Max instead. I thought about it, wondered why I didn’t wish it. I didn’t wish it because that’s a fantasy, and fantasies are dangerous. If I fantasize I’m living in a world that doesn’t exist, trying to solve a problem where it can’t be solved. I didn’t wish it because Philip is my child, dead or alive, and dead or alive I have a relationship with him. His death turned our relationship into sacred space, and thoughts of vengeance don’t belong there. I can’t get lost in whys and wishes. What would wishing Max dead mean? Only that I was furious and not doing the work that is required a parent do when she loses her child.

My son is dead and that’s forced me into a reality I do not want, but is what’s been given me. I can want it to be different, but it’s delusional to think that I can orchestrate one part of Life and not all of it. I don’t want the responsibility of all of it, and besides, it’s not an option. The only sane option is the one that feels like it’s driving me crazy: Philip has died, and how the bloody hell am I to live with it?

*NB: Natalia notwithstanding, I do not use real names when it comes to Philip’s friends.

© 2013 Denise Smyth

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