Today I’m wishing to be a poet. Today I’m wishing I could write elevated language; like what I want to say I just can’t get to in simple sentences. Because I’m trying to say what I feel when I look to my left and see Philip’s headshot on my desk, to the right and see the portrait of me, him and Natalie. The helplessness, frustration and continual shock of those moments caught in time, that this child of mine is to live in my memory but not in the flesh. I want to say it in such gorgeous language it’ll pierce your heart the way mine is; I want to give shape to our shared humanity. Because I’m standing out here in a way that feels alone in the way that only Death can leave you, and that’s not where I’m wanting to be.
I’m not a big reader of poetry. I don’t always have the patience, don’t always understand what I’m reading. But when a poem moves me, I stay moved. Like Stephen Crane’s, “In the Desert,” which I already wrote about. Like Yeats’ “Leda and the Swan.” Talk about gorgeous language, about language painting a living, trembling picture. Like Jane Kenyon’s, “Having it Out With Melancholy,” – depression elevated to art. Tell me there isn’t something in it that won’t have you saying, “Yes, yes.” Or anything by Louise Gluck.
My friend Ed is a poet. We met when I was 36. Philip was three and Natalie just turned one, and I decided to go to college and get the degree I’d never gotten back when everyone else I knew did. I still don’t have it, but I have Ed.
Ed is an English Professor, and he was teaching the Shakespeare class I’d signed up for. It was somewhere around the first minute he started speaking when I thought, “This is the teacher I’ve been looking for.” Bam. Sometimes you just recognize someone even if you’ve never met them before. And nearly twenty years later, I can tell you he’s saved my life. My emotional, spiritual, psychic life. The life underneath the busyness of what it looks like we’re doing when what we’re really trying to do is hang on for another day.
Last week Ed was talking to me about John Keats. Ed is a serious man, Keats is a serious poet. “Have you seen the sketch of Keats on his deathbed by Joseph Severn?” he asked. “Go look at it.” So I looked at this beautiful boy, 25 and dying, caught in a moment of rest and peace, and then I emailed Ed. Did you know he died the same day as Philip, I asked; did you know the year was 1821? 18-21?? I did not, he answered. Then, a few days later, this, from Ed:
Sonnet: A Poet, A Boy
He died the day the poet John Keats died,
whose tormented lungs finally gave way.
He was twenty-five, superbly alive,
inventing language to preserve the day,
the instant of the living human heart.
With words he seized a handful of water–
impossible, I know–but his great art
achieved this, as he, dying, grew gaunter.
The other one was an older child,
twenty-one on the day he lost his heart.
He was–I knew him–clever, loving, mild–
but becoming lost had become his art.
Two beautiful males share the same death date–
a poet, a boy, who rushed to his fate.
And I am collapsed again because that boy – my boy – “rushed to his fate.” It’s all our fates, no? To die? It’s a fact we don’t face until we’re forced to. Philip was racing to his death unaware and it is precisely his vulnerability that’s killing me. I’ve been asked if I’m angry at him for taking the drugs that killed him; I’m not. He didn’t know. Yes, he made poor choices but he wasn’t able to do otherwise. Like all the poor choices I’ve made – and I’m talking serious shit, alcohol-drugs-anorexia-bulimia shit. I couldn’t choose otherwise until I was ready, and I happened to live until I was.
You can’t not love the light because he’s died, Ed says. But I’ve always preferred the night, the gloaming and the gray. Yet sometimes, at a certain time of day, when that light hits the trees in a certain way, I think he’s right. But other times, like when its harshness wakes me from a dreamless sleep to remind me once again of what I’ve lost, I disagree. And even though I know Ed knows better than me, for tonight – I disagree.
© 2013 Denise Smyth
