There are moments that the words don’t reach
There is suffering too terrible to name
You hold your child as tight as you can
And push away the unimaginable
The moments when you’re in so deep
It feels easier to just swim down…
“It’s Quiet Uptown” – sung by Angelica from Hamilton
When Philip died I couldn’t find the words to describe it. It was easier to just swim down. One year later I started a blog because I had so much to say. I am still a mother whose child has died. I have need to talk about him but I don’t know what I want to say. His name – I rarely say his name to anyone and that hurts. In the car, when I’m alone, I talk out loud to him. I say his name. I love him.
I still want to scream at the world my child has died as if the world would reach round and cover me with a big, fluffy blanket, tuck me in, stand guard. But it’s not about the world and that’s the good news. Because a world that won’t take me in its arms also won’t attack. I don’t think Philip’s death was something done to me. It is something that happened and not a day goes by that I don’t wrestle with it. “There’s a grace too powerful to name,” Angelica sings, the other side of the suffering. And I know this. How can I explain that through Philip’s death I have known grace? I would not have chosen to find it this way, but here I am.
Because of where Philip’s death brought me, what it taught me. For whatever I might give in to, I refuse to let it turn into bitterness. Sorrow, soft and quiet, yes. This might be grace. The depth of my love for Philip matches the depth of my grief. Something inside broke when he died, but that dark and terrible place has another side. There is truth in that depth, there is a way to light if I choose. Philip’s love – our love – is my light and comfort. Whatever comes and goes, love remains. So I turn to him and let myself feel that. That is the big fluffy blanket I long for.
I am lonely for love. As much as I feel Philip’s love, I want to rest my head on someone’s shoulder, be held. I am starving for it. There are times when my insides feel like they’re collapsing for want of pressing against someone I love, someone who loves me. Then I pull back — it’s easier to be alone, I think. I’ve seen too much. And I’m turning 60 next year — is it too late?
I’m reading a book called Sixty by Ian Brown, a diary of his 61st year, which I expected to laugh and commiserate with. Instead I’m horrified. Brown talks of the world having no use for the aging — but what world? Surely in his personal world his friends and family have plenty of use for him. Brown is an active guy. He bikes, hikes, skis, goes kayaking. But he talks of his aches and pains, that come with aging and maybe in part from the wear and tear of exercising. Maybe I’ve no aches and pains because I don’t exercise. This bothers me because I used to all the time, and for years now I’ve refused to move. I’m getting older and think I should take long walks, but I cannot force myself.
Brown seems to be making 60 define his life. I don’t think about it that way — I think I’ll define 60. I don’t feel so much older than those around me, including the young woman my daughter’s age whom I work with. I look good, I feel good, I have a lot of energy, all things Brown complains about. He even questions the way he dresses, while I make an art of it. That’s what scares me about the book. I work to not let the world define me. Why should age matter in terms of what the world expects of me? Yes, things change. There are adjustments coming at me that I can’t yet fathom. But to spend a year looking at my life through the lens of my age is nuts.
It’s not that I’m not aware of my age, or that I never think about it. I changed jobs three months ago. My boss is handsome. Classically tall, dark, and good-looking. He’s the kind of guy I look up on the internet so I can show my friends what he looks like and watch them swoon. The kind of guy I always considered out of my league. Two weeks ago he threw himself a fiftieth birthday bash in a house on a lake, which included fireworks that spun glittering down from the sky around us. Yes, around us. Some people ran for cover. His age, his handsomeness, makes me think I’m getting old. Sure, he is, too, but at 59, 50 feels young, and he seems to have the world by the balls. And we all know men my age are looking down the decades for women which leaves me with…
Oh, bullshit. So what if men, in fact, look for younger women? That’s about getting laid. I’ve no problem with getting laid (except for the problem of no partner), but I want something more than sex, the thing that makes the sex mean something. Not that I do anything about it. In fact, I pointedly do nothing about it, the way I stay home so much. The only guys I meet are the ones in the current TV series I’m into. And we know where those relationships lead.
Philip’s been spared the pain of this life. Yes, you say, but he also misses the beauty and wonder. Except lately those are just words to me because there’s a lot more hurt than anything else. And the constant work of trying to see the other side of the hurt is exhausting. This doesn’t mean I think he’s better off dead. Beauty and wonder come from inside. Philip had it. He was it. He took it when he died, and it’s my work to remind myself that no, he really didn’t.
© 2017 Denise Smyth
Forever 21 