I’m taking a detour, again; swerving past the post I’m in the middle of writing because something half-formed is on my mind and I need to give some sort of shape to it. Because I’m trying to grasp some wisp of something that’s eluding me, something that’s solid about me and Philip because he’s not solid and the physical is easy, the physical we take for granted. Because I don’t talk much about him to the people whose lives he was part of, and they’re going about their business and I don’t know if they’re forgetting. And right now, it’s words that keep him real.
The couple I work for, Jack and Maggie, have two kids, a boy and a girl, in college. Yesterday, their son stopped in the office. A few minutes later, Jack walked in and said, “Hey, buddy.” And there was a seismic shift in my reality that took hours to recover from. See, “hey buddy” is a guy-thing. It’s a dad-and-son thing. It’s a thing I’ve heard before from fathers and sons on the softball field and the soccer field and at fencing tournaments and wherever I happened to be when I caught that moment of most generous affection some dad shot his son. And most of all, it’s a thing I heard between Phil and Philip.
Grief is insidious and unpredictable. It makes use of anything – an unintended glance at a picture I’ve looked a thousand times, the sleeve of a certain leather jacket sticking out in the closet, two little words from a time that doesn’t exist anymore. For hours I was closed and stung and pissy and weepy. Then, in an odd and directed way, there it was – 201. And the pieces shifted into place, but yet another different place. Because what hit me was that for those few hours I’d forgotten that I have a relationship with my son, the way Jack and Maggie have a relationship with theirs. That I don’t have to accept that Philip’s dead, but I do have to accept my grief because he’s dead. It’s not what I want, but it’s what I have. And as I said to Lucia, I’m not in the world in the same way, and when I forget that, I get myself into trouble.
I was commenting on a post by afichereader at somenewnormal (who is a lovely, elegant and serious writer) and I’d said that there is only, ever, Now. Which got me to remembering that I can’t solve an imaginary problem in some neurotic future I’ve invented. I can only solve a problem where I am. The future, when it “comes,” only ever comes as Now. Which doesn’t mean I don’t plan – but planning and projecting are two different things. If I save money every month because I might need it down the road, that’s planning. If I sit here and chew my nails because I’m alone and I don’t think I’ll have money when I get too old to work and what’s going to happen because Natalie’s not going to want me to live with her and what happens when you can’t afford to pay your rent or buy food or pay your car insurance and you have nowhere to put your clothes and your computer breaks and you can’t get another one and…
Whew. I don’t know about you, but I need a breath.
Worrying, suffering, sorrow, require Time. I’m not talking about clock time – that’s for showing up where you’re supposed to show up when you’re supposed to be there. Or for sitting your ass in front of the TV because Breaking Bad’s about to premiere. I’m talking about past-and-future. Which I’ve also heard called, “psychological time.” I’m talking about the mental trips we take to places we’ve been or places we imagine and by “places” I mean situations, I mean scripts we write and stories we tell ourselves and all the misery we create while we’re at it. Think about it. When do you worry about what you’re doing when you’re doing it? If you say, well, here I am baking this cake and I’m worrying about it right now because it’s for my friend’s party and I want it to be like, the best cake ever, or at least better than anyone else’s cake but what if it’s not so good and nobody likes it and they all know I’m the one who made it, what then?
So you’re not worrying about the present, not at all. You’re worried because you’re already at that party with a crummy-no-pun-intended cake and you’re all embarrassed and such. You’re not really there while you’re whipping that butter and sugar into airy goodness and adding eggs and flour and vanilla and what-all-else to make a creamy, luscious batter that yeah, you stick your finger into even though you said you wouldn’t and when the cake is in the oven you get to lick all that creamy goodness off the beater because there aren’t any more kids at home you have to give it to first.
I know this. I know this because paying to attention to Now was my work when Philip died. It’s not something I did once, it’s not something I just got the hang of. It’s practice, and far as I can tell it’s the practice of making peace. Having peace. Because if I sit here paying attention to this hot cup of tea I’m sipping, I’m not thinking past/future and all the heartache and misery I bring along with it.
Right after Philip died, I told my sister-in-law Joan that I was terrified to live. That years and years and years were going to go by and I cannot do this without Philip because I will turn into a sick, wretched old woman who’s lost her mind because she lost her son. What is there for me, what the fuck is there?
You won’t, she said; I know you won’t. And she told me about an elderly woman, a patient in the dental office she works in, who carries around her son’s obituary. Every time she comes in, Joan said, she talks about her son and pulls out the obituary. And all I could think was, Obituary?? Philip has an obituary?? Where is it, who put it there, who wrote it? He can’t have an obituary, that’s for people who are really dead; for ghosts, people who have names and families but don’t exist except as names on the paper they’re printed on. Philip can’t have an obituary because he had flesh and blood that came from my flesh and blood and what does it mean to be ink on a page that someone will glance at and not even notice?
I am that old woman, I cried to Joan; she is me.
See, I recognize her, and she scares me. She went down the hole I stand on the brink of, which is not the same as the void that Philip left me. One’s where you go when you give up, the other where you go when you find the courage to do so. And I’m not going to say I don’t know which way I’m going because I know the choice I made. Thing is, I can’t go without bringing that old woman with me.
© 2013 Denise Smyth
