Background

Some background.

I had my first drink when I was 11. When my own kids turned 11, their innocence still intact from alcohol, I felt sad for the child I was that felt that much misery that she had to drink to escape it. I was too little to drink with friends or go to parties, but I found ways to sneak it into my room to drink in secret. I didn’t like the way I felt and that was my way out.

The first time I drank, my parents had gone out on a Saturday night and left me to baby-sit my seven-year-old brother. Soon as he was in his room for the night, I opened the liquor cabinet which had quite the array. Besides the hard stuff, there were cordials and liqueurs and brandies and wines. My parents did not drink alcoholically, but they kept a stocked cabinet for their dinner parties. My predilection was to go for the hard stuff that’d get the job done, but I was afraid it was going to take a lot to get me drunk so rather than drink too much from one bottle, I took a mouthful from all. Then I reeled up to my bedroom, passed out, woke in the middle of the night, threw up all over my bed, passed out again, woke up with a hangover and couldn’t wait to do it again.

I spent the next thirteen years drinking and drugging as much as I could. It was what I lived for. There are stories, of course, but I’ll tell the one that’s relevant given my last post.

Around the time I started drinking, maybe before I started drinking, I had a death wish. I think I was around twelve when I went through a short period of taking aspirin, thinking it would do something to me. I took 5 one day, then 6, 7, 8, 9, 10, up to 11. I can’t say I was looking for death, but I was looking for something to be altered. I don’t know the first time I wished I’d die but I do know the wish grew like a cancer the older I got. By the time I was 22 I was desperate. I’d bought a pack of razors and hid them, waiting for the right moment. It came the weekend my parents drove my brother to the college he’d been accepted into. I had the house to myself. That Saturday I went to a party, got drunk, took quaaludes. My boyfriend Chris was there and when he passed out at 2 in the morning I decided it was time. I went home and did what one who was about to slash her wrists was supposed to do. Ran the water in the tub, placed the razor on the tub edge and a bottle of scotch on the floor. I was already drunk but I knew I needed more to deal with the pain of slicing a vein. Into the tub I went, swallowed another mouthful of scotch, and started in.

It wasn’t easy. It hurt like hell no matter how much I drank, but I was determined. I hacked at my wrists as best I could and I don’t know if such a thing is possible but I thought I nicked a vein because suddenly blood sprayed out. Not dripped, but a thin shot of it that hit the tube walls and made a mess. And all I thought was, “I am doing this. I am really doing this.”

It wasn’t my time, though, because through the splashing of the water coming out the tub spout and the screeching in my brain, I heard my phone ringing. It was around 3am. And it was ringing and ringing and I looked down at my bloody bath and shot out of there straight to the phone where as soon as I heard Chris’ voice I started screaming, I did it I did it and he kept asking what did you do and all I could do was scream.

By answering the phone I’d chosen life and Chris came to the rescue. From his end, he’d woken from his drug-induced coma and asked where I was. I hadn’t said good night to anyone but a couple people saw me leave. He said he’d gotten a bad feeling and had been ringing the phone for ten minutes, trying to figure out how he’d break into my house if I didn’t answer soon.

He came, he saw, he left to buy bandages at the 24-hour drug store, cleaned me first, then the bathtub. I watched him from behind scrubbing and rinsing the blood away and thought I never loved him more.

Of course that wasn’t a happily-ever-after. I needed help. As far as my attempt, I was ashamed that I had tried and failed and knew I would never do it again. My reasoning at the time was I didn’t want to turn into a half-measure suicide attempter who used the act as a call for help. I chalked it up to a failure on my part and resolved never to fail in that particular way again.

I don’t believe in coincidence as random. I wasn’t supposed to die that night. And I made the choice not to. So something was there, some part of me wanted to live.

And something else, more recent. A couple days after I wrote my last post, I was at work, standing and talking to a co-worker. As we spoke, I started to get light headed. Everything shifted. I couldn’t stop it, I didn’t understand what was happening. “Spiro,” I said, “I don’t feel well.” The world felt like it was slipping away and there was nothing I could do. I am having a stroke, I thought. Or a heart attack. I don’t want to die.

I don’t know what that was but it passed in about ten minutes. And when I let myself feel I was faced with possible death, I rejected it. Can someone tell me – who the fuck am I?

To be continued.

© 2020 Denise Smyth

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The Reason (Suicide, Part 3)

“I keep one foot out the door, and that’s suicide by increments.”
Rob (played by John Cusack) in “High Fidelity”

And that, right there, is the problem. I’ve a lead foot out the door and I think it’s soldered there. There’s an uncertain fear I live with and don’t care to define. Ed’s done it for me: “You are afraid to live because you think you’ll lose Philip.” But what does it mean to live, I want to ask him; show me how. He’d only shake his head because really, what else could he do? He can’t show me how to live because life isn’t given you by someone else, and if you think it is, it isn’t yours and you’ll wind up resentful, angry and either half-alive or half-dead, depending on the way you look at such things.

I keep thinking that living means having oh-so-many friends and taking fabulous vacations and talking on my cell when when I’m not texting on my cell and Facebooking, Twittering, Instagramming and “connecting” whatever latest way the internet’s figured out how to keep us glued to each other 24/7 because God forbid we should spend too much time considering. Life. Death. Meaning. WTF. It’s exhausting. But that’s not what Ed means by living. He means taking my foot out that door, which has to do with being, not doing. That still gives me only a vague idea of what it means to be in life. And what I see when I come close to sensing what living means is that I’m afraid if I’m not shaming myself, then someone else will do it for me. Somehow, that foot out the door feels like protection.

Hecht writes, “When a person dies, he does wrenching damage to the community.”  And, as Hamlet says of suicide, “ay, there’s the rub.” He’s talking of his uncertainty that death is any kind of end; I’m talking of what happens to those left in the wreckage of a loved one’s suicide, as well as the collective impact. Living carries responsibility with it, which includes taking seriously my effect on other people. I have to tell myself this because I don’t know it. I know I love Philip and I know I love Natalie; what I don’t know is how much I matter to both of them. Nor do I seem to “get” what I mean to other people.

And I think people who kill themselves don’t get what they mean to others. I’ve heard suicide called “selfish.” That’s a cruel, shallow, ignorant and cliched way to describe someone who’s in such devastating pain that it overwhelms consideration of anyone else. For  many, it’s almost like there is no one else because it feels like no one can help and no one really cares, not really. Because it doesn’t penetrate. Because  when you look around it seems like everyone else’s figured out this thing called life while I’m some solitary freak who can’t even find any other solitary freaks to commiserate with. I mean, what is it that keeps people wanting to live? It’s got to be love, doesn’t it? For people, for art, for work that is satisfying; for nature and its mysteries. That feeling of aliveness where you’re engaged in what you’re doing or who you’re with and there you are, being.  But what if you can’t feel anything but the lack of it all, the “Why?” that has no answer?

I can’t speak for anyone else, but my experience can’t be unique. I’ve wanted to die because I couldn’t feel love from anyone out there. I mean, I could feel love toward certain people – most deeply and particularly my children – but it didn’t feel reciprocal. When they were little, in my worst moments I would tell myself that I would kill myself when Natalie turned 16, because by then she wouldn’t need me any more.  She’d be well on her way (where the hell did I think she was going?), I’d be one more thing out of her way. Dead mom? Blip in the road, a stumble with quick recovery, then back to it like I wasn’t really there in the first place.

I believed this.

“We are all members of society,” Hecht writes, “and these connections are to be honored.” She says suicide creates more suicide. So I think about this. I think about the way Philip died – it was an accident. And I think of what I went through when I first learned of it, what I’m going through now. I was tortured; it didn’t matter that there wasn’t anything I could’ve done. I’m his mother – I was supposed to protect him. I was sick at the thought that there was a moment when he knew he was going to die, and he was alone and terrified but he had to let go. No way, I’m told; because of the heroin he went out in a blaze of bliss. I’m not so sure, but there isn’t anything I can do about it.

But as devastating as Philip’s death is, what if he’d chosen to killed himself? The things I hold on to are that he was a happy kid, that we were close, that there wasn’t anything unsaid between us. That I’ve nothing to feel guilty about unless I choose to make it so. But look at what his dying has done to me, to his father, to his sister – to all who knew him. The shocking, mindless blow of it. Do I think my own death would be any less shattering? What worse thing for Natalie than to live with a mother who’s not only dead, but dead by her own hand? So she not only gets to suffer my death, she gets to spend her life wondering why she wasn’t enough for me to live for.

And if I would do such a thing, in what meaningful way would I have loved her?

A few months ago, in my bathroom, I got a pain in my chest. It wasn’t about my heart – more like indigestion. But it caused me to bend over, and I closed my eyes, and made believe it was my heart. I might be dying, I thought. My heart might be shutting down and I might just keel over and Natalie’s upstairs, my God Natalie’s upstairs, I can’t leave her now, she’ll freak. She needs me to stay with her – I don’t want to leave her. So there was a crack in the atmosphere and I got it…but where’d it go? Do people live in full knowledge that they matter, they very much matter, to those who love them?

And so I have reason to Stay. But I’m missing the part about wanting to. I’m more attached to Philip’s death than Natalie’s life.

Next: What Philip says about that.

© 2014 Denise Smyth

Sobbing and Useless (Suicide, Part Two)

Naturally the first (and as yet only) chapter of Jennifer Michael Hecht’s “Stay” that I’ve read is “Suffering and Happiness.” Because as anyone who’s tried to delve into what they suffer knows, lots of people have lots of things to say about the suffering/joy thing. I will not ask the one question that haunts: why? I mean, why the fuck does one have to suffer to know joy? Hell, I can even answer that in my own way – but it doesn’t satisfy, not really. But suffering transmuted can liberate me from believing that I must suffer. Can show me, if I’m honest, what my part is in what I feel. Like everyone, I suffer within the context of my life, and Philip is now the focal point of that suffering. But as I’ve said, he’s told me not to make his death into something it isn’t. I have to get my head out my ass first.

And what I mean by “suffering in the context of my life” is that Philip’s death is of a part of the rest of it. A really simple way to understand that is if you’ve generally been okay with being alive you’ll probably wrestle with your child’s death differently than if you’ve spent most of your life thinking you and those around you would be better off with no-you. I mean, one of the reasons I used to think it’d better if I died was because my insurance policy would pay for my kids’ college.

Think I had some of those self-esteem issues we hear talk about?

My cousin Maria remembers that when I was a kid I always loved gray days. They make me feel safe, I told her. Nothing’s changed. I’m looking out my window now, where the sun’s breaking through the clouds that just yesterday were full of rain. I’ve a pit in my stomach; they always leave, the clouds. Always. There’s more sun-time than cloud-time and it doesn’t seem fair. What I feel good about is temporary, leaves too quickly. What keeps me twisted is reliable. And that’s pretty much how life’s felt.

I don’t much like Hecht’s poem, “No Hemlock Rock (don’t kill yourself); there’s a certain silliness to some of it and I’m not sure what she’s trying to do:

Don’t kill yourself. Don’t kill yourself.
Don’t. Eat a donut, be a blown nut.
That is, if you’re going to kill yourself,
stand on a street corner rhyming
seizure with Indonesia, and wreck it with
racket. Allow medical terms.
Rave and fail. Be an absurd living ghost,
if necessary, but don’t kill yourself.

I guess she’s saying be crazy, do anything, anything at all except kill yourself; but those words have nothing to do with me because I’m hurting and and it’s too much effort to go out and get a donut and I don’t even know what it means to be a blown nut.

But “Stay” is something else. When two of Hecht’s close friends killed themselves, she wrote an open essay letter on a blog that she writes for.  “Life has always been too hard to bear, for a lot of people, a lot of the time,” she wrote. “It’s awful. But it isn’t too hard to bear, it’s only almost too hard to bear.” She tells us to sob and be useless because “Sobbing and useless is million times better than dead. A billion times.” She calls those who want to kill themselves but don’t, heroes.

I’m no hero. I didn’t kill myself out of fear; nothing heroic about it. And before I start going on about how cowardly I am that I didn’t, I’m going to switch gears. I have to start seeing things differently. I’m not into heroics, so I’ll just say I have some level of sanity or I’d’ve thrown myself drunk in front of one of our Montclair rail crossings.

But how crazy am I to be touch with Philip daily and yet want to die because he did? What is it about the dark that attracts me? Philip told me that he is my teacher where he is, and Natalie’s my teacher where she is. He’s here to show me what death isn’t; she is showing me what life is. But it’s Philip I listen for and yearn for and learn from; I don’t learn from Natalie. She’s intense and blooming and instead of learning that from her, I sit on the sidelines because I can’t have that. Too late, don’t know how.

How complicated is this all? Philip was my first born, and extraordinary to me. The first thing I’d done right; and when I saw the beautiful child he grew into, all the more proof of what I was worth. He was my light. Funny thing is, there were times I thought I was paying way more attention to Natalie than to Philip; but my children needed what they needed, and Natalie needed more. Philip was my steady. Lights don’t go out, I said when he died; they just don’t. “I didn’t go out, mom,” he says. “Have a little faith.”

See, I can bow my head every day in gratitude when he lets me know he’s near. But what good is it if I don’t learn to live. If I want to work with what he’s trying to teach me, then I have to be willing to follow Natalie’s lead.

Hecht quotes Ann Sexton: “I don’t want to live…Now listen, life is lovely, but I Can’t Live It. I can’t even explain…if you knew how it Felt. To be alive, yes, alive, but not be able to live it…I am like a stone that lives…locked outside of all that’s real…I wish, or think I wish, that I were dying of something for then I could be brave…to [be] behind a wall watching everyone fit in where I can’t…to live but to not reach or to reach wrong…to do it all wrong…I’m not a part. I’m not a member. I’m frozen.”

I know this. I know every word of this. I’ve said it all, down to wishing I was dying so I could be brave. So I am not alone. But this is what else I know: It does not have to be this way. I don’t have to be this way. I haven’t figured out what that means yet. But this is only part two.

Next: Suicide, Part Three

© 2014 Denise Smyth

Stay (Suicide, Part One)

No, I’m not going to kill myself. But I’ve been preoccupied with being dead, and since the inner eventually becomes the outer, all things suicide have been coming my way.

Natalie bought me a book about suicide for Christmas. “Stay,” by Jennifer Michael Hecht. I find the title wrenching. “Dad asked me if I bought it because I was worried you’re thinking about killing yourself,” she said. “I told him no, it’s just I know you’re interested in suicide.”

My therapist is concerned. So I asked Natalie, who, after getting annoyed about the whole thing, pointed out that she knows I once tried to kill myself and hence, my interest; that she heard about the book on NPR, which gave her the idea to buy it; that if I was going to kill myself I would have already done so, since I’ve gone through the worst thing in my life so far; and that anyway, I wouldn’t do that to her. And no, I wouldn’t.

But she’s the thread I’m hanging from. I have enough sanity to see she’s a reason not to die. But it feels impossible I’ll ever get to the part about wanting to live. Or maybe I don’t think about that for the next few-whatever. Maybe I first get through Philip’s birthday on January 20th, then February 23rd when it’ll be two years since he died. Because if I’ve learned nothing else these last two months, it’s that this year-two stuff is pretty sickening. Year one’s unreality has been replaced by year two’s finality, and where’s there to go from here?

I get a daily poem from The Writer’s Almanac, which, by the way, is connected to NPR. 95% of the time I don’t read them. But one day last week, I got two emails from the Almanac, the second one correcting the first. Maybe I should read it, I thought; maybe that poem’s trying to get my attention. It was a poem about suicide. I mentioned it to Natalie because of the book she’d given me, and she said maybe it was the same author. So I checked, and sure enough, it was.

And if that’s not enough suicide-stuff, a couple weeks ago, I got a link to a blog post about suicide. The blogger – who I think had once felt suicidal and is now really happy to be alive – decided that those who kill themselves are selfish and cowardly. I don’t argue online – I don’t usually have the energy or self-righteousness for it. But this closed-minded, cliched version of What Kind of People kill themselves incensed me enough to let the blogger know exactly what I thought, which included the fact that many who’d read the post were the ones who’d lived through a loved one’s suicide, and what kind of burden does that add to a load that’s already broken a whole bunch of people to pieces? (And the end of that story was instead of getting flipped-off, the blogger read my entire blog and left a lovely comment. Who knew??)

Since Philip died, I’ve come across people whose loved ones have killed themselves, and I don’t pretend to know what kind of hell it is to live with that. Especially if it’s your child – what ginormous excess of grief must that create? Suicide has nothing to do with the people who love you. It has to do with unfathomable loneliness, other-ness, not belonging, not seeing, not getting why you’re alive if this is what it feels; if all/most of the time, this is what it feels like. And screw feelings-aren’t-facts. Feelings are the world if that’s what you let them be.

My secret mantra has yet again become, “This won’t last forever because I will die.” Not exactly suicide, but a way of becoming one of the walking dead. I already wrote about what Philip said to me about suicide here. And I promised him I’d stop wishing myself dead. But lately, I’m not hearing anything but the battering between my ears, and I don’t know what it is I’m trying to accomplish with my little mantra. Maybe I think it’ll bring a natural death faster, and no one will blame me if that’s how I go.

I become unreachable when I’m lusting for death, which I’ve long considered the only way “out.” When I finally figured out that if I thought death was the answer, I was asking the wrong question, Philip died. And even though I remind myself that death remains the wrong answer, these last few weeks I’ve given up and given in and I see no way through. I’m not in touch with anything inside me that knows how to live, much less wants to. It seems wrong and unnatural, but life’s never much felt like a home I belonged in.

For whatever the reason, I was miserable and angry about life since I was a kid. When I turned 11, I decided the way out was to drink. By 14, I added pot to the mix. By 22, I had bulimia. For years I turned the rage I felt but never understood into a scathing diatribe against myself. I swore God took special pleasure in my unhappiness or else He’d make it go away.

When I was 21, I sat in my parents’ bathtub at 4:00 in the morning while they were away for the weekend, drinking and hacking away at my wrists with a razor blade. I thought I was making progress when the blood started spraying, but that’s when I heard the phone ringing. I guess I wanted to live more than I wanted to die because I answered it. It was my soon-to-be-ex-boyfriend, Chris. Earlier that night, I’d left him at a party, drunk and angry that he hadn’t given me any of the Quaaludes he’d already passed out from taking. What he later told me was that he’d woken up out of his stupor and knew something was wrong when he couldn’t find me. He came over and wanted to take me to the emergency room. I refused, so he wrapped a towel around my wrist and went to a 24-hour drugstore for some butterfly bandages. When he was done patching me up, I sat in the bathroom watching him clean the blood from the walls around the tub.  On his knees, he tossed his long Jesus-hair back over his shoulders and never said a word while he worked. I longed to lay my head on his long, narrow back while he rinsed that bloody rag. I wanted him to love me as much as he wanted to save me, but when he stood and turned to me he was the Chris I knew again, his ever-increasing remoteness further justified.

After that, I went to therapy. I still didn’t want to live, but I was embarrassed by my failed attempt and by what I considered my cowardliness because I knew I wouldn’t do it again. By 24 I went to AA and I stopped drinking. By 30, I married Phil, which went a long way toward stabilizing my violent moodiness. I relied on his steadiness, but it offered no insight into how to build a life that I could enjoy. I’d stopped drinking and vomiting and had even given God a shot, but I wasn’t happy. I was living in a long, gray corridor called depression.  Wanting to die was my default position, the only way to permanently right what was wrong. I got it together for everyone else; I loved my kids and took care of my family, but the life I was living didn’t seem to include me.  I was bored staying home with the kids, unhappy being married, despondent because I had no career, resentful that being a wife meant having sex when the only touch I didn’t object to was that of my children. I was waiting my life out. I thought about swallowing pills but had no idea how to get them. Sleep was the only peace I knew, and the nights I was particularly despondent I’d crawl under the covers, pull them up to my chin and curl up to say my adult version of the prayer my mother taught me as a kid:

Now I lay me down to sleep
I pray the Lord my soul to keep
I  pray to die before I wake
I pray the Lord my soul to take.

But the Lord wasn’t listening, so I kept a package of razorblades in my kitchen drawer. I might’ve been too scared to use them, but they were my version of hope.

Next: Suicide, Part Two

© 2014 Denise Smyth