“I keep one foot out the door, and that’s suicide by increments.”
Rob (played by John Cusack) in “High Fidelity”
And that, right there, is the problem. I’ve a lead foot out the door and I think it’s soldered there. There’s an uncertain fear I live with and don’t care to define. Ed’s done it for me: “You are afraid to live because you think you’ll lose Philip.” But what does it mean to live, I want to ask him; show me how. He’d only shake his head because really, what else could he do? He can’t show me how to live because life isn’t given you by someone else, and if you think it is, it isn’t yours and you’ll wind up resentful, angry and either half-alive or half-dead, depending on the way you look at such things.
I keep thinking that living means having oh-so-many friends and taking fabulous vacations and talking on my cell when when I’m not texting on my cell and Facebooking, Twittering, Instagramming and “connecting” whatever latest way the internet’s figured out how to keep us glued to each other 24/7 because God forbid we should spend too much time considering. Life. Death. Meaning. WTF. It’s exhausting. But that’s not what Ed means by living. He means taking my foot out that door, which has to do with being, not doing. That still gives me only a vague idea of what it means to be in life. And what I see when I come close to sensing what living means is that I’m afraid if I’m not shaming myself, then someone else will do it for me. Somehow, that foot out the door feels like protection.
Hecht writes, “When a person dies, he does wrenching damage to the community.” And, as Hamlet says of suicide, “ay, there’s the rub.” He’s talking of his uncertainty that death is any kind of end; I’m talking of what happens to those left in the wreckage of a loved one’s suicide, as well as the collective impact. Living carries responsibility with it, which includes taking seriously my effect on other people. I have to tell myself this because I don’t know it. I know I love Philip and I know I love Natalie; what I don’t know is how much I matter to both of them. Nor do I seem to “get” what I mean to other people.
And I think people who kill themselves don’t get what they mean to others. I’ve heard suicide called “selfish.” That’s a cruel, shallow, ignorant and cliched way to describe someone who’s in such devastating pain that it overwhelms consideration of anyone else. For many, it’s almost like there is no one else because it feels like no one can help and no one really cares, not really. Because it doesn’t penetrate. Because when you look around it seems like everyone else’s figured out this thing called life while I’m some solitary freak who can’t even find any other solitary freaks to commiserate with. I mean, what is it that keeps people wanting to live? It’s got to be love, doesn’t it? For people, for art, for work that is satisfying; for nature and its mysteries. That feeling of aliveness where you’re engaged in what you’re doing or who you’re with and there you are, being. But what if you can’t feel anything but the lack of it all, the “Why?” that has no answer?
I can’t speak for anyone else, but my experience can’t be unique. I’ve wanted to die because I couldn’t feel love from anyone out there. I mean, I could feel love toward certain people – most deeply and particularly my children – but it didn’t feel reciprocal. When they were little, in my worst moments I would tell myself that I would kill myself when Natalie turned 16, because by then she wouldn’t need me any more. She’d be well on her way (where the hell did I think she was going?), I’d be one more thing out of her way. Dead mom? Blip in the road, a stumble with quick recovery, then back to it like I wasn’t really there in the first place.
I believed this.
“We are all members of society,” Hecht writes, “and these connections are to be honored.” She says suicide creates more suicide. So I think about this. I think about the way Philip died – it was an accident. And I think of what I went through when I first learned of it, what I’m going through now. I was tortured; it didn’t matter that there wasn’t anything I could’ve done. I’m his mother – I was supposed to protect him. I was sick at the thought that there was a moment when he knew he was going to die, and he was alone and terrified but he had to let go. No way, I’m told; because of the heroin he went out in a blaze of bliss. I’m not so sure, but there isn’t anything I can do about it.
But as devastating as Philip’s death is, what if he’d chosen to killed himself? The things I hold on to are that he was a happy kid, that we were close, that there wasn’t anything unsaid between us. That I’ve nothing to feel guilty about unless I choose to make it so. But look at what his dying has done to me, to his father, to his sister – to all who knew him. The shocking, mindless blow of it. Do I think my own death would be any less shattering? What worse thing for Natalie than to live with a mother who’s not only dead, but dead by her own hand? So she not only gets to suffer my death, she gets to spend her life wondering why she wasn’t enough for me to live for.
And if I would do such a thing, in what meaningful way would I have loved her?
A few months ago, in my bathroom, I got a pain in my chest. It wasn’t about my heart – more like indigestion. But it caused me to bend over, and I closed my eyes, and made believe it was my heart. I might be dying, I thought. My heart might be shutting down and I might just keel over and Natalie’s upstairs, my God Natalie’s upstairs, I can’t leave her now, she’ll freak. She needs me to stay with her – I don’t want to leave her. So there was a crack in the atmosphere and I got it…but where’d it go? Do people live in full knowledge that they matter, they very much matter, to those who love them?
And so I have reason to Stay. But I’m missing the part about wanting to. I’m more attached to Philip’s death than Natalie’s life.
Next: What Philip says about that.
© 2014 Denise Smyth
