Nothing Good or Bad?

I was asked to guest post by Becki Duckworth at http://isurvivedamurderattackmyfamilydidnt.com/ Becki’s story is brutal; you can read about it here.

And you can find my next post here.

I wish all of you peace on this day after Christmas. I find it’s not the “day” that’s hard as much as the aftermath, when I’ve survived to find yet again that life goes on and I’m just not sure how I’m supposed to go along with it.

Death is Peace?

“There’s a risk in thinking death is peace.”
A Course in Miracles

Another solution shot to shit. Because it’s an illusion; whatever I “look” to to take away what I’m suffering is an illusion. There isn’t a “future” answer. Whatever happens is created by what I do now. So what do I want? What kind of life do I want to live?

To lose my son; how can I ask what kind of life I want to live when I am not always sure I want to live it?

But then Thanksgiving comes. When it’s time to go home, I sit in my brother’s TV room with my coat on, waiting for Natalie to get ready. Someone is flicking the channels, someone stops at the football game. I see Jerseys full of numbers; I want a number, I say to Philip. I see a 20 on a player’s back. Not good enough, I say. I want 21. I look at the top of the screen. The score:  21-14.

Driving home, I am stunned to see myself surrounded by four cars with 20, 21, 22, and 201 all around me, and in that order. My God, I thought; he’s carrying me. I bob and weave through the traffic, and when I get off at my exit, the same car with 201 is in front of me.  201 turns left like I do. But when 201 gets to the light, he turns left again and goes back on the parkway, heading in the opposite direction.

Natalie works at the Short Hills Mall. On Saturday, I go to meet her. It’s mobbed, of course. Philip, I say, help me find a spot. I got it, he says. I head toward where I always park, and he says to go further. I’m creeping along trying to look down the aisles, when a young man steps out in front of me and I brake. So sorry, I say. He nods. I look to my left and there’s a car pulling out. I take the spot, and the car that I’m facing has 201 on its license plate.

If Philip could knock me over the head and say, “Cut it out,” he would. And he is, but in his own way. And I am fighting like a crazed caged tiger because I WANT HIM HERE. I want him here. Today my knees almost buckled when grief whacked me from behind. That horrendous moment when it all crystallized and I knew he was dead, 201s and all.

I am losing everything I thought I could escape to. Starving myself, withdrawing, flogging myself, wishing for death, as if I know what I’m even asking for when I say that. If I can’t handle the changes in my own life, how do I think I’m going to meet Death when He holds his hand out? Philip said to me that I will die the way I live. If I live in fear, that’s how I die. It’s not a punishment, just a statement of fact. That’s what I mean about what I do right now is creating my life. I think each change that comes is practice for death. Each change requires a leap of faith because even if I want that change, there’s always some fear and holding back, some reason why I think I shouldn’t be doing what I’m doing.

But what about something like this. What about the day Natalie says, “Mom, I got my own place.” It’s true I would be bursting with pride because she’s growing and taking steps to take care of herself, to become just that more independent. But I’ve still got that black space that Philip’s asked me to put that diamond in, and it’s full of bile it’s ready to spew all over me. When Natalie leaves, I can go on about how alone and miserable I am and now both of my kids are gone and what the hell is the point of being here and on and on. That comes from fear; and if I go through that kind of change with that kind of misery, if I’m thinking death is the only way out, I’m going to be shocked and terrified when it really does come because it’s the last and biggest change I will ever make. So will I meet it with grace and faith, or will fly out of here in a tornado of terror and fury?

I don’t know what the hell death is, but I am sure it isn’t the way I imagine it. When I say, “I want to die,” what I mean is I don’t want to feel. I wrote a while ago about the night I was driving, right after Philip died, thinking, “That’s it. I’m done. I don’t know how I’m going to do it, but I’m going to do it.” And I heard Philip say, “Mom you have to find the joy, it doesn’t work that way.” I understood him to mean that death changes nothing. Whatever I’ve got to work out, I’ve got to work it out where I am.

Thing is, I don’t have the other way. If I’m to give up all the self-destructive ways I handle Philip’s death, the things I do over and over, expecting different results, what do I replace them with? How do I talk to myself differently, and then actually believe what I say?

It’s been rough; it’s the holidays. A mood comes on. There’s nowhere to go. Philip’s birthday’s in January, he died in February. His absence grows stronger, much as I feel his presence. He’s always on my mind, but I don’t talk about any of this except here. And lately I understand the meaning of, “I Have No Mouth and I Must Scream.”

© 2013 Denise Smyth

To all of you…

This is a day when many think about gratitude, but what I’m more thinking of now is forgiveness and perception. Because these are the portals to gratitude, and these are what I’ll be writing about next.

But not today. Today I just want to say that I do know what I have to be grateful for. First for my children; Natalie, who’s teaching me how to keep it real, and Philip, who’s teaching me to see it differently. And for all of you who’ve been helping me through his death. Because even though I’ve become one of the walking wounded, I don’t walk this way alone. I’m sorry for those I’ve joined, and for those who’ve come after. I want to say, “No one should go through this.” But it’s not for me to make that judgment. All I know is that this is where we are, and it’s what we mean to each other that’ll help get us through.

And today I’m wishing peace to all of you, even if it seems a distant dream. Because whatever short moments I’ve found of it these last months, it’s had much to do with all of you.

xoxoxoxoxo

© 2013 Denise Smyth

Door Number Three?

A couple things happened this past week which don’t particularly seem related but are if only because there’s either the familiar, self-destructive way to deal with them or the way that I can say lots of really smart things about, but seem unable to actually do.

These couple things are also about writing; what it is I’m doing here writing this blog where I take pause and look at the sorrow of my son having died and what all that means because it’s not only changed whatever I thought the future was going to be, it’s changed the way I see the past. And it’s forced me into constant reckoning with the fact that there only, ever is Now.

I work this out here because we’ve all an ancient need to tell and to hear our stories, and we live in a time where we’ve got virtual communities to do so.

A couple weeks ago I started a short term writing class about how to publish personal essays, which I thought would be easy since I’ve a got a blog full of them. Except it doesn’t work like that.  After reading aloud the couple pieces I’d brought in, the woman who’s running the class said – and in the gentlest way possible – that what I’ve written doesn’t work in the way I’ve written it and this should go here and that should go there and the rest of it isn’t necessary and on and on until I felt like she was taking what I’d written and making it into something I wasn’t trying to say. But the worst thing about it was that I didn’t hear it. I thought it worked, exactly as I’d written it. That I can’t hear what I’m writing is beyond dismaying.

And into the mix came a cryptic email from a long-time long-distance friend X who I haven’t heard from in a month and a half or so and who wrote that she’s “been reading my blogs” and decided that “Natalie must feel like not only did her brother die, but her mother has as well. She must be very lonely;” and that she’s an “innocent victim of my grief.  Why else would she want to spend more time at Phil’s.”

And, she says, her only reason for saying this is because she’s worried about Natalie, who I’m not sure she’s ever even met and if she did, it was when Natalie was a wee bit of a thing. Because had she met her, the last thing she’d call my scrappy, in-your-face, don’t-mess-with-me daughter is a victim of anything.

But reading that shook me up and began an obsessive chain of thinking that echoed back through the years of when I didn’t know better. The years spent locked in relationships (not only romantic ones) where I swore I was the victim and the closest I got to seeing what my part was was to say, well, I must have a part ‘cause it takes two but I’ll be damned if I know what it is because she is so doing that to me.

Obsessiveness and writing don’t work for me, in spite of my writing teacher suggesting the reason I keep writing about Philip is because I’m obsessed. I see “obsessed” as blinding and shortsighted which maybe isn’t at all how she meant it, but that’s how I took it and so twice in one week I decided I was the victim of a world that I always knew I didn’t belong in.

I’m not obsessed with Philip. When he first died, and for at least that first year – that’s obsessed. What the hell else would I be? And for that year, I – who at the time of his death was 150 pages into what I saw as a hot and sexy memoir – was not able to write a word because the grief-obsession duo made everything move too quickly to capture in words and drained me of both the will and energy to do so.

So now I feel like the contestant in Monty Hall’s Let’s Make A Deal who has to choose between Door Number One or Door Number Two or Door Number Three, except that what’s behind them is no secret to me. Behind Door Number One is angst and depression because I am what I write and if I can’t make a goddamn essay with the thousands of words that I’ve already written, then what the fuck am I here for? Behind Door Number Two is self-righteous victimhood and insecurity because how dare she and who the fuck does she think she is but maybe she’s right and what kind of mother am I, what kind of person with my goddamn tale of woe and what’s wrong with me that I still haven’t gotten with the program?

Then there’s Door Number Three, which is where truth lies and you’d think it’d be easy to walk through that door, but it isn’t. It hasn’t the obsessive seduction of tearing X apart and stomping through her bloody remains, or of watching myself whither away because the Teacher likes everyone but me and I can’t write and I can’t live without my son and life’s a big suck ball so why can’t I please just fucking die.

Behind Door Number Three lies the meaning of “it takes two.” Because first there’s the fact of what happens, and then there’s the way I choose to look at it. And that is how one creates a life.

A blog post is not, in fact, an essay. There’s the possibility of it turning into one, but it’s hard. I can choose to try to do that, or I can work on an essay instead of a blog post. I can choose to put my energy into what it takes to get published now, or I can continue to learn about it and try to make it happen later on. That’s all; there isn’t any drama here. There’s figuring out what I want to do, then figuring out how to get it done.

And this situation with X, which is too perfect: here I am suffering a death I consider way more tragic than my own, and what I thought was her loving hand was really holding a knife. And when I tell this story like that, I can get my goddamn ego stroked because no one should treat a grieving mother like that and how much better am I ’cause I’d never, ever do such a thing. And there was a time that would have satisfied me, but at the price of having to repeat my sad story until it grew flimsy and full of holes, but then sure enough along would come another injustice and I could start all over again.

But how about I change the story. How about I say…nothing happened. It’s a fact, of course, that X wrote those things. But what’s that change about me or my life? If I think it matters that much and I attack back, then I must think I’m small and weak and that someone’s words can threaten me, can change something fundamental about me.

What if I changed the story to understand that X is in her own pain, because people don’t lash out if they’re not. And if that’s true, why do I want to make it worse with a counterattack? Contrary to the laws of this world, we have what we give. If I shoot poison at her, I have that poison, which comes from an ever-replenishing well where the more I give, the more I have.

AA talks about detaching with love. Whatever, I used to think. Not so much any more. And I mean love as in keeping an open heart. I’m not saying I have to send flowers to X and tell her what she said didn’t matter and everything’s all Kumbaya. I’m way too human for that, and the fact is, it does hurt. Detaching with love means seeing this friendship has been fraught with difficulty and if I don’t like the way I’m treated, I end it. But I keep my heart open because when it shuts down in response to the pain I blame someone else for, all it does is shut that pain deep inside of it. That’s what the light’s about, the diamond Philip offered me. That’s the light that burns through the suffering and transmutes it first into something bearable and eventually to the joy that’s its other side.

And I am working on it, because no one feels the deadliness of my anger more than I do.

© 2013 Denise Smyth

What He Meant

I’d like to say something interesting about the mad crazy start of the holiday season a whole two-and-a-half months before Christmas, but I don’t know what that would be except for the usual grousing. There was a time I thought since the six or so weeks between Thanksgiving and when the Christmas decorations came down were mostly absorbed by Christmas, I spent 1/12th of the year (generously rounded down) in some alternate universe where life revolved around garland, gifts, tiny, twinkling lights and how many different kinds of cookies I could bake. Now the time frame’s shifted to 2 1/2 months, and I’m not feeling so generous. Over 1/6th of our time is spent absorbed in the holidays or trying to avoid them.

Whether or not I want to think about the holidays doesn’t matter. I feel them. It’d be easy to say this time of year makes me sad or depressed, but it’s more complicated. I’d add trapped because grief and holiday-cheer is a toxic mix and I can’t avoid either; and scared, because so much of what surrounds Philip’s death is fear. I’ve been told it’s because I’m afraid of my own death. I won’t argue something I’m not sure about, but Philip’s death affects my life so deeply that I’m not sure at all sure which state I’d prefer.

Part of what’s so terrifying is I didn’t know just how awful life could feel and what’s to stop it from throwing something else at me? I’m told the worst thing that could happen to me, happened. No, it’s the second worst. First worst would be both my kids dead. And there isn’t any amount of money or any sort of insurance policy that’s going to keep me safe from what I fear most. I’m alive, I’m at risk.

During the last holidays I shared with my son, I was still sorting things out. It was the third holiday season since I’d left my husband. The first year, we kept things the same – Thanksgiving and Christmas Eve at my parents’, Christmas day at our house. The following year began the separation. We’d alternate Thanksgiving with the kids, and I got to go first. Phil declined to join us on Christmas Eve, but Christmas remained the same, with me going to Phil’s early in the morning to open the gifts I’d bought and wrapped and delivered Santa-like the week before.

But that next and last Christmas was the final split. It was Phil’s turn to have the kids on Thanksgiving. Christmas Eve they’d be with me, since that was the big day for my family, and Christmas Day they’d be with Phil and his family at the house like always, except I wouldn’t be there, even though Phil, last minute, invited me.

If you ever have to get divorced, may it be from someone like my husband.

That last year was the year to begin new Traditions. That last year I was spending Thanksgiving at my cousin Maria’s, where I went the night before to help with the cooking, and then sleep over. This will be our new tradition, I announced, thinking how the following year the kids would come and join me because Maria’s home could sleep the three of us and then some.

That last year was the first year I put up a tree. I got the idea that the kids should sleep with me at Nadiya’s on Christmas Eve, open presents in the morning, then go to Phil’s after breakfast. This will be our new Tradition, I announced.

And that last Christmas morning, when the three of us emerged from the discarded wrapping paper and tissue and bows and ribbons to have some breakfast, Nadiya was already in the kitchen with her son and daughter, and we all ate breakfast together. This will be our new Tradition, I announced.

But last year, I was busted. And I will not be using the T word any time soon.

I’m coming unhinged because there’s a cruel chill in this holiday air, and it’s blowing away whatever sanity I’d been hanging onto.  I’m lonely in the way only the death of someone you love can leave you, in a way that has nothing to do with how many bodies are around because the strange thing is, I mostly want to be alone anyway. Except for Natalie, who’s around when she’s not slipping away to friends and college and work; to secret texting and ceaseless facebooking  and to instagram, picturegram and every other -gram that comes along to replace the one created the day before.  And to her dad, whose house she’s decided to sleep at once a week and which I believe will turn into two or three times. I envy the whole family she’ll be sharing the holidays with, my half and the half I left when I left my husband; I envy the joyful juiciness of her life whose only momentum is forward while I’m spiraling down, not down as in lost but down as in deeper, which isn’t at all the way I imagined deeper would be. It was supposed to be a state of peace and wisdom, and its cost was merely willingness.

But there’s nothing “merely” about willingness, which is mostly acquired when the life you’re living feels like it’s taking place in one of those rooms whose two opposite walls are moving toward each other with you stuck in the middle and you’re screaming and screaming because you know you’re not only going to be crushed to death, but it’s going to happen in a  hideously, slowly way. If you were told willingness would set you free, you might take the risk of jumping into the void, or you still might hold out, preferring to hear the sound of your own, right screaming than to trust in something you couldn’t see.

I see the tentacles of my grief wrapped around Philip and Natalie and Phil because I desperately want to be taken care of and I think it’s my need that keeps them circling me. Who am I to them if I’m not broken? Who am I to me if I’m not broken? I haven’t the nerve or the will to jump into the next void, which isn’t about any sort of letting go of grief (why do people say shit like that??) but about leaving behind the need to use my grief.

And that’s what Philip meant when he said, “Mom, it’s time.

© 2013 Denise Smyth

It’s Time

I’m not so sure about choice. I don’t mean like what boots best go with my jeans or whether I want scrambled or over-easy. I mean choice about the way I feel or the way I think or even – which seems the most controllable – the way I act.

I don’t have much choice about what I think, but I can choose to look at it and distance myself from it, or dive into its darkly deep and believe it’s the truth of it all. And lately I’m bad as I’ve been, nursing my secrets as gently, carefully and constantly as I did my kids when they needed me.

I think I’m depressed, which is not the same as sad. Sad is being protective of my mournful heart. Depressed is anger I won’t feel; it’s me crying and hopeless and lying on the couch and not writing and doing all sorts of things with food that sooner or later I’ll have to talk about. “You have to take care of yourself,” my therapist tells me. “That’s why you feel like this. You’re angry; and you think you’re angry at yourself, but I think you’re angry at Philip.”

I’m not going to argue, but if I am angry at him, I don’t feel it. I’ve said before that Philip was involved with something bigger than he was and he didn’t get out of it before it got him. Look, I know addiction. I know the pull of alcohol, the craving for drugs, the sheer insistence that being Out of Mind and so Disconnected From Body has got to be better than this. So what I see is my child vulnerable, and how can I be angry at him for his weakness?

I know emotions don’t always make sense. Look at how angry I am at myself because Philip died – what the hell sense does that make? I’ve conflicting emotions all the time – what would be so strange about being grieved that Philip died, as well as angry at him because he did?

But what is it I value? I think I value suffering. I think I value being apart-from, living in a world I won’t let touch me. Which is what I mean about choice. Am I really choosing this? I’m not talking about Philip dying or how-of-course I’m grieved and somewhat unmoored. I’m talking about the particular way I’m suffering and the way it’s so easy to sacrifice myself to it. The way I can’t stay connected – to Philip, to Natalie, to Ed, to you all, to writing – which only means I can’t stay connected to my-self. And so I’m asking again; is this a choice I’m making??

Last week, I had another of my extraordinaries. A week ago Friday, actually. I’d been so down and withdrawn that maybe I scared myself, but whatever it was, something nudged me into getting in touch with Harriet, who I love very much and who’s seriously good for my soul.

We decided to have dinner at her apartment on Friday, which meant me picking up Greek food from the tiny Greek takeout in town. I went there to order, and while I waited, went next door to my dry cleaner to pick up some pants I’d had hemmed. My dry cleaner – whose name, after all these years, I still don’t know – is always happy to see me, but this time all her big smile did was make me burst into tears and when she came round the counter to hug me, it hit me how long it’d been since someone did.

Back outside, I sat at one of the small, curbside tables the Greeks put out when the weather allows, closed my eyes and tried to relax, listening, as always, for Philip. When I opened my eyes I looked up, and caught the sun lighting up some cotton-ball clouds into shades of golden red. Look at the clouds, Philip said. Watch.

So I stared, trying hard to make cloud shapes that looked like Philip. Am I going to see you, I asked? Am I going to see your fencing sword so I know for sure it’s you??

Just look and don’t try to see, he said; and what immediately popped up was a wolf’s head. Which I stared at and which appeared to be moving because clouds really are moving and because if you stare hard enough at anything it’ll seem to start moving. And this wolf had its mouth open, sometimes looking snarly and sometimes not. Then I saw a hand appear in front of its head, palm up. And then something swirling on this hand, something trying to take shape. Are you giving me something, I asked Philip? Are you giving me a gift?

And yes he was, because the thing swirled itself into a huge, red diamond shot through with light, perfectly balanced in the palm of this hand and I asked, are you giving me a diamond and he said yes, I am. You always say I’m the light. Now I’m giving you the light and I want you to take this diamond and put it in the dark spot where your heart is, because it’s time, mom. It’s time. And before I could fully grasp the thing he was telling me, a car pulled into the spot in front of me and had his initials on its license plate.

I swore I wasn’t going to tell this story. But I did. First to Harriet, and then to Ed. Ed’s the most realistic man I know but has yet to shrug off anything I tell him Philip says because Ed can hear its wisdom. Do you know what this story means, he asked and yes, I thought I did except for the part I missed. It’s that part that Ed said was the reason I wouldn’t tell this story, because if I did, I’d be committed to what it meant. Because what Ed heard was Philip asking me to be his mother because he is not my father and I cannot depend on him as if he was, and  the reason I refuse to live my life is that I insist the only way I can “keep” Philip is by going all helpless-little-girl-I-need-you on him and I’m afraid if I grow the fuck up my son will vanish and take his diamonds and license plates and 21s with him and then he will have left me twice.

It’s closing in on me; Philip saying, “it’s time,” and all the things he’s said before. Asking me what it means to be his mother, what it means to be responsible, what do I think it feels like to him to have to watch the way I suffer. Not that I suffer, but the way that I suffer. The way I bring it on and lose myself and refuse to take what’s offered me.

Like that diamond, the one that’s supposed to be in my heart.

© 2013 Denise Smyth

An Ordinary Miracle (Part Two)

A couple months after Philip died, a friend asked if I was interested in seeing a medium she knew, S. Since S. was recommended, I said yes. Before Philip died, I hadn’t been to a psychic in decades, not since the Famous Jeffrey, whom Stephanie and I had to get on a waiting list in order to meet. We finally got the call, and the visit went something like Jeffrey telling me I was going to have two children and me answering that I was pregnant with my second and him saying smugly, See? I told you and me not saying that no, actually, you didn’t tell me, you should’ve known I was pregnant, and with a waiting list months-long and a fee of one-hundred-and-fifty-(1993)-dollars, I expected precision.

After that, the fascination remained, but I refused to waste my money on it.

And much as I thought I was going to get myself in trouble seeing a medium so soon after Philip’s death, I went anyway. See, I thought a medium was like a telephone. Like it’d be, Hello, Philip? Medium here. Your Mom’s freakin’ out. Say something to her, will ya??

I called S. to make the appointment and she only asked for my first name. She didn’t want to know anything about me, didn’t even ask if there was a particular dead person I wanted to talk to. I hung up thinking maybe this’d be okay.

That day I’d say I was half out of my mind, except my mind was half gone already, gone somewhere far away, probably in search of my son. That day my anxiety exceeded the limits my meds could handle. I was all sped up with nowhere to go. My appointment was at seven. It was a ten minute ride which meant I’d leave 25 minutes early to get there so I could hurry up and wait. At 6:00 I took my dogs for a walk, hooking my glasses in the top of my shirt. I usually kept them on a chain around my neck, but it’d broken and I hadn’t replaced it. I needed glasses for reading, for shopping, for seeing the food on my plate that, since my son died, I wouldn’t eat anyway. I couldn’t use them for distance because if I did, the world became muddled and distorted. Kinda like it was anyway.

When I walked my dogs strictly for business (their business, that is), I took a right turn out the house, walked to the corner, crossed the street, and circled back home. That’s exactly what I did as quickly as I could, as if quicker would make 6:35 come any sooner. Once inside, I realized my glasses were gone. Goddamnit. I’ll be right back I snarled at the dogs, and stormed out of the house. Since I was already in the habit of asking Philip to help me find things, I said to him, Philip, I want my glasses. Help me find them so I know you’re here. 

Twice I went round, but no glasses. Furious, crying hard tears, I headed back to the house cursing and cursing and I don’t curse much but when I’m feeling whacked and out-of-control I go all Brooklyn-Italian on myself (don’t let “Smyth” fool you). Like, what the fuck, fuck this, are you fuckin’ kiddin’ me and fuck you, him, it and her.  I had no problem hurling it all at Philip. Fuck you Philip, what the fuck was that? I want my glasses and when I get to this fucking medium you better either tell me where they are or tell me you’re sorry you didn’t help me find them or whatever, but fuck you’d better say something about my glasses.

Or what? I’d kick his ass?

I knew I was in trouble at S.’s house when she put some goopy new-age chakra meditation on and asked me to close my eyes, put on the headphones and listen. Like I really wanted to hear the deep, dulcet tone of some Woman-Wiser-Than-Me telling me to let my orange chakra allow my abundance to be abundant and my yellow chakra to allow my self-worth to be worthy and my green chakra that should be red because it’s the bloody heart chakra to allow its lovepeacejoy  to be all that and Lady, you’re off your rocker if you think love, peace and most particularly joy and I can stand to share the same room, never mind the same headphones. I sat for ten minutes crying noiselessly because I was embarrassed by my need.

When it was over, S took my headphones, nodding, and said, “I know. It’s beautiful, isn’t it?”

Which pretty much sums up the session. Because what followed was this really nice lady saying meaningless things to me about ghosts I didn’t know or barely recognized. Although it did seem like my mother-in-law was making a stink, but we hadn’t much gotten along, so what was that to me? When I finally asked if I could talk to the person I wanted to, S. said it doesn’t exactly work like that, except that when I helplessly added, “See, my son…” she got the picture.

She told me that when I walked into the room, an 8-year-old boy came in with me. But he wasn’t eight, I said, not asking her why she didn’t mention that earlier. They do that sometimes, come in at different ages, S said. I don’t know why.

Then what the hell am I paying you for?

Nothing else much resonated. She said Philip liked to garden and he liked to draw and that he kept mentioning Brad, none of which meant anything since the first two were just wrong and the third wasn’t anyone I knew or ever heard Philip mention.  She also talked about the letter K, another thing meant nothing and has since come to mean something so okay, I’ll give her that.

I left there devastated, angry at S. for what I felt was her ineptitude, angry at Philip for not showing up, angry at myself for exposing myself to such a risk.

Next morning, I took my emotionally-hungover self out to walk the dogs again.  As usual, I walked without seeing, letting the dogs lead, lost in the space where Philip used to be. But then it was like something knocked me on my ass and I stopped dead where I was, looked up at the sky, and said, “Philip, I want my fucking glasses. NOW.”

When I looked down, there they were. Right at my feet, right on the grass I was standing on.

I got it. I really got it. Which is why Part One of this story set the stage, the part about me needing someone to please tell me how to live and please help me find the life I was missing. Because what Philip was saying to me was, “Mom, you don’t need a medium to talk to me. You need faith and responsibility, and it’s up to you to choose it. And you know I’m talking about something larger, too. I’m talking about life. Your life.”

Wouldn’t you think me “getting it” would amount to more than just some understanding? That “getting it” would be more than idea? Because so far, it isn’t. So far, I’m feeling like a lost little girl, alone and cut off again. So far, I’m crying a lot and thinking it’s all too much.

But I have another thought about this – well, actually, a lot of thoughts. More on that next.

© 2013 Denise Smyth

What I’ll Accept

“Accept whatever comes to you woven in the pattern of your destiny, for what could more aptly fit your needs?”
—–Marcus Aurelius

I’m still trying to write Part Two because I wrote Part One and I already posted something in-between, but I can’t quite get there because this is the story that wants to come out, and really, it can be An Ordinary Miracle in its own right.

And I’m wanting to write this because for whatever reason it was that came over me, I seized a box of photos from when my kids were little and so many years away from losing the innocence that’s their birthright, tore through them and picked out the cutest of the cute and took them to my therapist to show her.

“Here,” I said as I walked in. “Look. I don’t know why, but I had to show you.”

There should be a word for the kind of loneliness you’re left with when someone you love more than life – or maybe you love life because of them, or maybe you’re not so sure what you feel about life, but you do know they’re what makes it bearable – when that one you love is all of a sudden dead. Just…dead. One minute they’re here, then they’re not, and one year, eight months and three days later you still can’t believe it and no matter how much good you know they’ve helped you see even though they’re dead,  you just don’t see how you’re going to go on much more without them.

Signs” notwithstanding.

We moved to Montclair when Philip was seven and Natalie five. Phil and I had been looking for a house in nearby Verona, which was somewhat less expensive. But our realtor’s office was in Montclair and the more we drove through it, the more Montclair’s funky, artsy, hipster, stately atmosphere started to feel like home, and I began to wonder why we were driving away from the place I wanted to live instead of toward it.

So Phil and I decided to expand our search into Montclair, and two weeks later I did something I hadn’t once thought to do during the five months we’d been on the hunt. I opened the real estate section of The New York Times on Saturday morning and saw a “Cozy and Charming” house for Sale by Owner in Montclair at a price that made me think there must be something wrong with it. There were built-in corner cabinets in the dining room and I don’t know why that’s what they mentioned in the ad instead of the the huge backyard with the deck and the patio and the stand of six cedar trees that stood guard over the large plot of grass just beyond them. But corner cabinets worked for me. I’m a sucker for aged and charming and “built-in” anything.

I made an appointment to see it on Sunday. Even if “Cozy and Charming” turned out to be “Cramped and Confined,” at least we’d spend some time in Montclair.

So next day we went to see it with Philip, but without Natalie, who hated car rides and asked if she could stay with Grandma, promising she’d come to NJ when we bought a house and were really going to live there.

Montclair is a lovely, hilly, hip and shaggy-tree town. It has lots of parks and a 408-acre reservation that spans three towns. It has movie theaters that show Manhattan-movies and restaurants and shops that make weekend parking impossible. It has a museum and a university, an uptown, a downtown and even a town in the middle. There’s the diversity of the not-so-mini-mansion-rich and lower-east side poor. And it’s filled with artists and writers and journalists and actors. High-level creatives, the kind of people I imagined had something I didn’t but living among them felt right even if I wound up keeping mostly to myself anyway.

When we pulled up in front of the house, I did what I always did – got out of the car, looked up and down the block, stood for a moment and asked, How do I feel?? To my surprise, the answer was good. Like, really good. Like, I think I could wake up and come outside and be really-glad-I-live-here good.

You already know the end of the story – we bought the house. But more importantly, we bought a home.

I suspect most of the house-buying-and-selling-thing is a transaction of the kind Nadiya had to suffer. Where the realtors swoop in, take the soul out of the house and hussle you out the back door when the buyer’s coming in the front. So the people who are making one of the biggest decisions they’ll ever make in their lives don’t get to meet each other until maybe it’s all said and done. I don’t know how it got to be like that, but welcome to Real Estate 2013. Me? I got lucky. I got Sam and Gina.

Sam and Gina raised their two kids in that house, but with a third on the way, they needed more room. They didn’t want to leave as much as they felt they had to. But it was the home they’d spent years creating and no matter how many realtors called begging to sell it for them, they said no, we want to try to sell this ourselves.

(And as I found out later, one of those realtors was mine, who called Sam and Gina and said, “I know a couple this house is perfect for – and I can get them to pay you $25,000 more for it!”)

The house was smaller than what I’d imagined for us, but its advertised Charm-and-Cozy actually was Charm-and-Cozy. The yard was lovely, with a wooden swing set in one corner and and a shed that looked straight out of a farmhouse with red siding and white trim in the other. And when a bunny leapt past me as I stood outside contemplating all this, I knew this was my  house.

And I suspect Sam and Gina thought the same when, sitting at their dining room table making our offer, the French Doors slid open and Philip walked in. He’d been in the yard playing with their five-year-old daughter. “Excuse me,” he said, addressing himself to Gina. “But the little girl went into the barn and I don’t know if she’s supposed to.”

No, she wasn’t supposed to, since what Philip meant by “the barn” was the shed in the corner with the lawn mower and paint cans and garden tools and bug spray and pretty much every parent’s toxic nightmare all stashed into one spot. Sam ran out to get her while Gina gushed her thanks to Philip. And on the way home in the car, I turned to Philip and said, “You know, if we get that house, it’s because of you.”

Which I did and do believe. Because when Sam called us that night to congratulate us, he also let us know they turned down a higher offer because Gina was firm that the house needed to have children, and I knew it was Philip she had on her mind.

I’m not immune to the what-ifs, but thank God I don’t take them seriously. It’s crossed my mind that, well, what-if we didn’t buy that house, what-if we’d moved to Verona instead, what-if we’d chosen a different school for Philip to go to. Except more than that is the way my past has been woven, the way one story overlaps with another and how I can’t unravel one thread without unraveling it all. And Philip has been so much a part of whatever’s recognizably mystical in my life that even though I hate that I have to accept that he’s dead, I’m willing to accept he’s not gone.

© 2013 Denise Smyth

Hey, buddy

I’m taking a detour, again; swerving past the post I’m in the middle of writing because something half-formed is on my mind and I need to give some sort of shape to it. Because I’m trying to grasp some wisp of something that’s eluding me, something that’s solid about me and Philip because he’s not solid and the physical is easy, the physical we take for granted. Because I don’t talk much about him to the people whose lives he was part of, and they’re going about their business and I don’t know if they’re forgetting. And right now, it’s words that keep him real.

The couple I work for, Jack and Maggie, have two kids, a boy and a girl, in college. Yesterday, their son stopped in the office. A few minutes later, Jack walked in and said, “Hey, buddy.” And there was a seismic shift in my reality that took hours to recover from. See, “hey buddy” is a guy-thing. It’s a dad-and-son thing. It’s a thing I’ve heard before from fathers and sons on the softball field and the soccer field and at fencing tournaments and wherever I happened to be when I caught that moment of most generous affection some dad shot his son. And most of all, it’s a thing I heard between Phil and Philip.

Grief is insidious and unpredictable. It makes use of anything – an unintended glance at a picture I’ve looked a thousand times, the sleeve of a certain leather jacket sticking out in the closet, two little words from a time that doesn’t exist anymore. For hours I was closed and stung and pissy and weepy. Then, in an odd and directed way, there it was  – 201. And the pieces shifted into place, but yet another different place. Because what hit me was that for those few hours I’d forgotten that I have a relationship with my son, the way Jack and Maggie have a relationship with theirs. That I don’t have to accept that Philip’s dead, but I do have to accept my grief because he’s dead. It’s not what I want, but it’s what I have. And as I said to Lucia, I’m not in the world in the same way, and when I forget that, I get myself into trouble.

I was commenting on a post by afichereader at somenewnormal (who is a lovely, elegant and serious writer) and I’d said that there is only, ever, Now. Which got me to remembering that I can’t solve an imaginary problem in some neurotic future I’ve invented. I can only solve a problem where I am. The future, when it “comes,” only ever comes as Now. Which doesn’t mean I don’t plan – but planning and projecting are two different things. If I save money every month because I might need it down the road, that’s planning. If I sit here and chew my nails because I’m alone and I don’t think I’ll have money when I get too old to work and what’s going to happen because Natalie’s not going to want me to live with her and what happens when you can’t afford to pay your rent or buy food or pay your car insurance and you have nowhere to put your clothes and your computer breaks and you can’t get another one and…

Whew. I don’t know about you, but I need a breath.

Worrying, suffering, sorrow, require Time. I’m not talking about clock time – that’s for showing up where you’re supposed to show up when you’re supposed to be there. Or for sitting your ass in front of the TV because Breaking Bad’s about to premiere. I’m talking about past-and-future. Which I’ve also heard called, “psychological time.” I’m talking about the mental trips we take to places we’ve been or places we imagine and by “places” I mean situations, I mean scripts we write and stories we tell ourselves and all the misery we create while we’re at it. Think about it. When do you worry about what you’re doing when you’re doing it? If you say, well, here I am baking this cake and I’m worrying about it right now because it’s for my friend’s party and I want it to be like, the best cake ever, or at least better than anyone else’s cake but what if it’s not so good and nobody likes it and they all know I’m the one who made it, what then?

So you’re not worrying about the present, not at all. You’re worried because you’re already at that party with a crummy-no-pun-intended cake and you’re all embarrassed and such. You’re not really there while you’re whipping that butter and sugar into airy goodness and adding eggs and flour and vanilla and what-all-else to make a creamy, luscious batter that yeah, you stick your finger into even though you said you wouldn’t and when the cake is in the oven you get to lick all that creamy goodness off the beater because there aren’t any more kids at home you have to give it to first.

I know this. I know this because paying to attention to Now was my work when Philip died. It’s not something I did once, it’s not something I just got the hang of. It’s practice, and far as I can tell it’s the practice of making peace. Having peace. Because if I sit here paying attention to this hot cup of tea I’m sipping, I’m not thinking past/future and all the heartache and misery I bring along with it.

Right after Philip died, I told my sister-in-law Joan that I was terrified to live. That years and years and years were going to go by and I cannot do this without Philip because I will turn into a sick, wretched old woman who’s lost her mind because she lost her son. What is there for me, what the fuck is there?

You won’t, she said; I know you won’t. And she told me about an elderly woman, a patient in the dental office she works in, who carries around her son’s obituary. Every time she comes in, Joan said, she talks about her son and pulls out the obituary. And all I could think was, Obituary?? Philip has an obituary?? Where is it, who put it there, who wrote it? He can’t have an obituary, that’s for people who are really dead; for ghosts, people who have names and families but don’t exist except as names on the paper they’re printed on. Philip can’t have an obituary because he had flesh and blood that came from my flesh and blood and what does it mean to be ink on a page that someone will glance at and not even notice?

I am that old woman, I cried to Joan; she is me.

See, I recognize her, and she scares me. She went down the hole I stand on the brink of, which is not the same as the void that Philip left me. One’s where you go when you give up, the other where you go when you find the courage to do so. And I’m not going to say I don’t know which way I’m going because I know the choice I made. Thing is, I can’t go without bringing that old woman with me.

© 2013 Denise Smyth

Whats and Whys

Nothing real can be threatened
Nothing unreal exists
Therein lies the peace of God
—- A Course In Miracles

I guess you can say it’s all about perception. Philip says, “Mom, my perception is different now. Let me help you see.”

Elizabeth Blue helped me see, too. She wrote, “…the land will miss my body./Perhaps it will be lonely/I think it will weep./I think it will miss me/more than my body or mind/could miss it.”

First off – she’s right. If we are the world, then look at how Lucia misses her daughter. Look at Elizabeth’s dad and sister, all her family and friends, who goddamn miss her. Hell, I miss her, and I never even met her. But when Elizabeth speaks to Lucia, when Philip speaks to me, there’s no sorrow. There’s light and wisdom.

Although Philip once asked me how I felt when I’d see him sad, troubled upset; wasn’t my heart wrenched? How do you think it is for me, he said, watching you suffer like this? And he asked me what responsibility means to me. Which gave me pause to think how once he died there were certain responsibilities I threw away. What does it matter anymore; he’s dead? So what if I don’t act like the mom I was when he was alive?

I’m saying this seriously; I’m talking about the ways I stopped taking care of myself, the ways I tried to hurt myself, because Philip died. Things I’ve not yet talked about here. Why did I think any of that was okay because he was dead, but it wasn’t okay when he was here? Not to mention that he isn’t my only child. What about Natalie – didn’t I still have a responsibility to her?

But perception, and Elizabeth. To take what she wrote a little further. What is the world when we’re not here to witness it? How real is it then? And before you say, “Are you freakin’ crazy? It’s obvious the world is still here when you die – people die all the time and the world’s still here,” don’t listen to what I’m saying with your mind, listen with your heart or whatever you call the place in you that has room for wonder. The mind wants the kind of proof that makes it impossible to believe anything other form is real and it’s completely dismissive of space. Which, by the way, is necessary for form to occur in. But who ever thinks about that? What do you look at when you’re looking? Space, or the objects in that space? Space can’t be nothing, since without it, there can’t be anything.

What’s this have to do with perception? Just that we don’t see it all, literally or figuratively.  We dismiss space as nothing because we can’t see it, yet it’s essential. Which is to say that what we can’t see is not nothing.

How many different ways are there to perceive the world, and which one is real? An animal, an insect, a bird – they don’t see the world the way we do. But we have a higher consciousness, so our perception is correct, would be the argument. Fair enough. But think about this.

An ant goes on about its ant-life without knowing anything about us. It scurries around all day doing its ant-things according to however it’s perceiving its ant-world, which we happen to share with it. It knows nothing about us human beans. See, we have the bigger picture. We see the ant even if it can’t see us; we exist even if the ant isn’t aware of us, even if what we do doesn’t figure into the ant’s life. Which it mostly doesn’t, unless, say, we step on it, which I personally am especially prone to do when it’s the big, juicy black-carpenter-ant-type. And I’d bet if an ant could think the way we do, it’d be thinking it’s the Big Cheese of the Planet, Lord and Master of every other non-ant form.

Well…what, then, makes us so sure there isn’t some other consciousness hanging around here that we can’t perceive? And if the world is based on perception, what’s the truth? The “truth” can’t be anything that changes. If what’s true for me isn’t what’s true for you, then how can it be truth? Relatively speaking, it is; but absolutely? No. So if the world depends upon our perception…and if differing perceptions give rise to different realities…what is the true nature of reality??

Could I even pretend to answer that? Of course not. I’m just trying to put words on what all I’ve been thinking about since Philip died. What he’s trying to teach me, what he’s asking from me. And seeing how much I don’t know. It’s the willingness to not-know that makes room for the miracles.

I’m trying to tell a story and it’s textured and layered and I keep backing up before I go forward. When I ended the post about signs, I said I had more. Which got me to writing a story I wanted to tell you. Which then got me writing another story that had to precede that first story because it needs some context to be effective. And somehow, I wound up writing all this.

And I think it’s because the fact of Philip giving me signs or experiences doesn’t leave me making fists with bent elbows, pulling them down to my hips and uttering a loud, self-satisfactory Yessssss! Philip told me early on that signs were pointers. In themselves they are not “truth,” but pointers to that truth. Reminders to pay attention. So what does this mean? What does it mean that the things Philip communicates are visible, but he isn’t?  Signs, listening, dictation, direct experience; these don’t take away the grief. Always the duality. Always. I weep for him every day; yet he’s all around me, always reminding me that he is.

But I’ve so many questions. What is Death? What is Life, for that matter? What’s it mean that we’re born to die? What’s it mean that so many people communicate with their dead loved ones? The “is-ness” of Philip, of Elizabeth, is palpable, but I want to ask what can’t be answered: Where are you??

In other words, what the hell is going on here?

© 2013 Denise Smyth

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