What About Sex?

A couple weeks after I left home and moved into Nadiya’s, I had to stop at my house before I went to work. I’d forgotten some essential article of clothing that God forbid should cause a wardrobe crisis. It was August, 2009. Philip was a freshman on his way to Rutgers, living his last couple of weeks at home. Natalie was 16, and splitting her time between me and Phil. Up the stairs I went to my (former) bedroom, and saw Philip’s bedroom door was open. Philip’s bedroom door was never open when he was asleep. Curious, I stuck my head in to find he was not at all asleep, what with the girl he had in bed with him. He rose up in surprise, half-naked (top half, thank God), and I was all, “Oh-my-God-I-am-so-sorry-I’ll-get-what-I-need-and-get-out-of here.” Back in the car, when I finally stopped laughing my ass off, I sent him some funny text about protecting himself, and ended it with, “And you’d better be good to her or I’ll kick your ass.” I knew he’d show it to her; I didn’t know who she was or what she meant to him, but just in case she was going to be sticking around, I wanted to mitigate the weirdness that was now between us. If she meant something to him, then she meant to me, too.

That night Philip and I were meeting for dinner, and I’d already decided not to bring it up. What was there to say, really? He was 18, and I knew he was responsible. But he brought it up, and I appreciated his candor.

So what about sex? When Philip and Natalie were teenagers, Phil used to tell them not to have sex until they got married. That wasn’t anything I’d ever say, but I didn’t mind him saying it.  Somebody should tell them to wait, I thought, and since I was sixteen the first time I allowed a guy into my sacred space, I wasn’t sure I was the one to do it.

Besides, I didn’t really know what I thought about them having sex. When they were younger, I had the conversation about the mechanics of it – me trying to explain while they tried to squirm away. But what about the heart of it? I didn’t talk to them about that, I didn’t tell them that you wait for someone you care for and who cares for you, someone who’ll not only be there in the morning for breakfast, but will stick around and help clean up. That sex will bring you the hottest and holiest pleasure you’ll have in your life and if you’re going to make yourself vulnerable to someone that way, it had better be someone you trust.

So while Phil did the forbidding, I began to have the other conversations about sex. The kind you have in a moving car. The last such conversation I remember having with Philip was when he was 17 and I realized the bandana he was wearing around his neck was hiding a hickey. He and Natalie laughed when I noticed it and went into my feigned horror-and-surprise mode: “Is that a hickey, oh my God you have a hickey why did you let yourself get a hickey summer hickeys are harder to hide blah blah blah.”

I admit to having had a guilty pleasure at the sight of that mottled blotch. It was an animal pride that my good-looking, 6′ 1” tall son was marked with desire. Desire makes the world go round. It’s biological; if our bodies didn’t meet to fuck, there’d be no little bodies to grow and do the same. Which isn’t what I said to Philip. Later that night we were in the car and he was captive behind the steering wheel.  “Philip,” I said, “we have to talk about sex.” His response was to reach for the radio, mine was to slap his hand away. I told him hickeys were ugly and disrespectful to X (his girlfriend). Why should you wear your business on your neck for everyone to see? What are you telling people about X? He agreed to no more hickeys. “And I want to remind you that sex makes babies, so if you’re having sex you better think about how you’re going to raise the kid.”

Which was my not-so-subtle way of reminding him that abortion is not a form of birth control.

I’ve been wanting to write about this for a while, but wondering why this particular incident, why now? There’s ego involved, for sure. Look at me, I want to say; look at the kind of mom I am. I mean, how cool am I?? My response to finding Philip and a girl in his bed was just me being me. But then I took that response and added it to the list of things that made me a cool mom, like my long streaked hair, skinny jeans and Free People wardrobe. Like the fact that my kids not only loved me, they liked me, were proud of me, had no problem being seen in public with me. And I am embarrassed at the pleasure I took when my daughter announced that the word around school was that I was a MILF. In fact, I’m so embarrassed by my reaction that I’m leaving it as an acronym. If you don’t know what it means, it’s easy enough to find out.

What did I want my kids to see when they looked at me? The important stuff, they knew. They knew I loved them, that I’d happily take Philip to the airport at 5:30 in the morning, then wait for him in the terminal when he got back. That I’d drive Natalie back and forth to Rutgers in New Brunswick as many times as she needed. That being sick always meant pajamas on the couch, fluffy pillows, comfy blankets, lots of fluids, and an indispensable mom who appeared just when the soup was needed, the juice glass was empty or a sweaty head needed some stroking.

But what about physical-me? The last few years of Philip’s life, it got real important that my kids should think I was attractive, that I was sexy and pretty and cool enough for their friends to invite me to hang (they did), and even cooler when, of course, I didn’t. I just wanted to be noticed. I thought if their friends liked me, my kids’d like me more, too.

What’s up with that? Is it so obvious that I don’t see it ‘cause I’m looking a little too deep? What’s up with wanting to be seen as sexy, with wanting Philip to know that’s how I was seen? The “obvious” answer – I’m getting older, I’m afraid  I can’t be desired, I don’t want to be a juice-less hag – that’s all surface. For decades I was uncomfortable in my body whether my clothes were on or off. And if I go down that road now, this post is going to take too long of a  diversion. For now, suffice to say that at 52 I was waking up sexually. For years I was all baggy jeans, shapeless tees and outfits that didn’t seem to work because I dressed around hiding my ass.  But the more I bloomed, the tighter my clothes clung. With some help from a padded bra, my curves were out there for y’all to see.

No small part of this is the yin yang of male/female energy. The longing to be whole, which we can’t be, not in body, and if that’s where we place our longing, we’ll not only get fucked, we’ll be fucked. Because we’ll fuck selfishly, desperately, insatiably – through our hungry mind instead of our open heart. Always feeling that something is missing, often blaming our partner, believing what we’re looking for is about our body and not our being.

That last year of Philip’s life another shift was taking place between us. The night he came over, a year before he died, the night I said, “When they find you dead of an overdose, they’ll blame me,” the shift was palpable. We stood on the third floor landing where I was living, me asking him not to do drugs; him saying he wouldn’t, me knowing I couldn’t protect him from his choices. And so another shrinking of my mother-ness, another growth of his other-ness. Philip needed room to grow and I gave him all.  As paradoxical it sounds, every step back brought us closer.

I wasn’t afraid of these psychic shifts because I trusted what was between Philip and me. He told me we were “growing up together,” and it’s only now I’m beginning to see what he meant. As he became independent so did I, freer than ever of that formerly-unshakable feeling that I couldn’t be happy because there was something wrong with me. And part of what I counted on was his love and support which existed beyond his physical presence. I didn’t have to see him, or even speak to him, to know he was there.

Kinda sorta like what he’s asking me to do now.

© 2014 Denise Smyth

My Secret

I ended my last post with what was to be next. Instead, I digress.

 *******************

 AA says you’re only as sick as your secrets. The light’s supposed to shine away the dark. Because it’s always there, the light. It’s a matter of if you see it.

Secrets are built into addiction. It’s a matter of survival. “Addiction” becomes this thing you are, not this thing you have. It’s a force, and it wants to survive. It’s not supposed to be able to thrive in the light. So where does the light come from? Just from telling the secret? What exactly happens when you say the thing you think you are or think you have? With all the AA I’ve absorbed, you’d think I’d know.

I have bulimia and anorexia. I don’t mean I had bulimia and anorexia. I mean I have bulimia and anorexia. That’s been my response to Philip dying. At first I wouldn’t eat. For months after Philip died I picked at food. I was drained. A bag of bones my clothes hung on. It wasn’t so much a choice; the food wouldn’t go down. Anxiety was a tsunami in my belly. If anything went in, it would have been blown back out.

In the mess of days after Philip died, people wanted to feed me. “Are you hungry? Can I get you something to eat?” they’d ask. I could only shake my head. I couldn’t eat, I couldn’t talk. I couldn’t do normal. I couldn’t pay attention to anyone because they weren’t in my world. In my world the only answer was, “I will never eat again; I will starve myself to where my son is.”

David Foster Wallace, himself a sober addict when he died, wrote about benign and malignant addictions. “Many addictions, from exercise to letter-writing, are pretty benign.” He then adds, “…  something is malignantly addictive if (1) it causes real problems for the addict, and (2) it offers itself as relief from the very problems it causes.” And so round and round I go.

I am so damn angry. And I’ve a habit of punishing myself when I suffer loss, which I wrote about here. In the past, it was about The Guy. The one who always turned out to be a jerk, because, of course, it was his fault. All I wanted was to be loved. I lived for these guys, yearned for them, dressed for them, got on my knees for them; why the fuck couldn’t they love my need away? So I’d leave them, depressed and angry, and start the Food Games. Months of barely eating until my body couldn’t take it any more, at which point I went to war with it. Hunger was a betrayal, forcing me to eat when all I wanted to do was die. I’d sneak into delis and grocery stores, head down, walking as close to the shelves as I could, as embarrassed by my hunger as by my cartful of cookies and cupcakes and chips. I’d start eating in the car, and once I was home, tore through that food until I felt like a blimp about to burst. Then into the bathroom to hurl it all back at the universe. And soon as I got hungry again, I did it all over. Buying more food at different stores. At my worst, binging eight or nine times a day. At my worst, all 5’4” of me weighting 98 lbs., and counting down.

It was my mind that drove me crazy, and my body that I punished.

So what happened? At 28, I met my husband and it hit me it was either him, or my crazy. I chose him. I got help. I settled down. I learned how to eat, how to listen to my body. I stabilized at 125 lbs. The more I let myself eat, the less food was an “issue.” I got married, had kids. And to my wonder and surprise, after Philip was born, I lost more than my pregnancy pounds. I weighed in at 118, where I stayed for the next 20 years.

The blow of Philip’s death blasted me into a suffering I was helpless to deal with, so I turned to food. Same pattern – I went from barely eating, to vomiting. Back and forth, back and forth. Down to 102 lbs., obsessed with staying there. Telling no one; not anyone, for longer than I can remember. Until the day I told Kirsten, told Rose, who is sweet and lovely and who I’ve yet – but hope – to meet. Finally, I told my therapist. And most importantly, I told Natalie, because I would never have taken the risk that she’d find this out through a blog instead of directly from me.

I’ve been throwing out weight and height to make a point, to make the picture clear. To make myself see what I am doing, to shake myself into some semblance of caring for myself. Because much as I’m taking the steps to do what’s right, it’s coming from “I have to,” not, “I want to.” The have-to is because of Natalie; I love her enough to understand she needs me right where I am. It’s all for her; I don’t know how I ever let it get to be for me, too.

Here’s where I stand: I have stopped throwing up. I am afraid to eat, even though I do. I do not weigh myself. I am probably somewhere between 110 − 115 lbs. I am told I am too thin. I do not believe that. When I look in the mirror I don’t see what you do.

And I’m exhausted; I’m tired of worrying about food, tired of it always being on my mind, tired of the voices in my head  that don’t even sound like voices, just sound like normal thoughts. Normal? Here’s a sample: “Oh, are you going to eat that for lunch? That’s too heavy. You better not eat breakfast. Eat some grapes and drink some Vitamin Water. Don’t finish what you’re eating. It’s good to leave food on your plate. What are you going to eat for dinner? You ate lunch, after all, you can’t eat too much for dinner. And don’t eat too late. What? You’re eating popcorn at 10:00 at night? I don’t care if it’s fat-free; that’s bad. Very bad. Bad, bad, bad.”

This isn’t the end; it’s just all I can say for now.

© 2014 Denise Smyth

The Reason (Suicide, Part 3)

“I keep one foot out the door, and that’s suicide by increments.”
Rob (played by John Cusack) in “High Fidelity”

And that, right there, is the problem. I’ve a lead foot out the door and I think it’s soldered there. There’s an uncertain fear I live with and don’t care to define. Ed’s done it for me: “You are afraid to live because you think you’ll lose Philip.” But what does it mean to live, I want to ask him; show me how. He’d only shake his head because really, what else could he do? He can’t show me how to live because life isn’t given you by someone else, and if you think it is, it isn’t yours and you’ll wind up resentful, angry and either half-alive or half-dead, depending on the way you look at such things.

I keep thinking that living means having oh-so-many friends and taking fabulous vacations and talking on my cell when when I’m not texting on my cell and Facebooking, Twittering, Instagramming and “connecting” whatever latest way the internet’s figured out how to keep us glued to each other 24/7 because God forbid we should spend too much time considering. Life. Death. Meaning. WTF. It’s exhausting. But that’s not what Ed means by living. He means taking my foot out that door, which has to do with being, not doing. That still gives me only a vague idea of what it means to be in life. And what I see when I come close to sensing what living means is that I’m afraid if I’m not shaming myself, then someone else will do it for me. Somehow, that foot out the door feels like protection.

Hecht writes, “When a person dies, he does wrenching damage to the community.”  And, as Hamlet says of suicide, “ay, there’s the rub.” He’s talking of his uncertainty that death is any kind of end; I’m talking of what happens to those left in the wreckage of a loved one’s suicide, as well as the collective impact. Living carries responsibility with it, which includes taking seriously my effect on other people. I have to tell myself this because I don’t know it. I know I love Philip and I know I love Natalie; what I don’t know is how much I matter to both of them. Nor do I seem to “get” what I mean to other people.

And I think people who kill themselves don’t get what they mean to others. I’ve heard suicide called “selfish.” That’s a cruel, shallow, ignorant and cliched way to describe someone who’s in such devastating pain that it overwhelms consideration of anyone else. For  many, it’s almost like there is no one else because it feels like no one can help and no one really cares, not really. Because it doesn’t penetrate. Because  when you look around it seems like everyone else’s figured out this thing called life while I’m some solitary freak who can’t even find any other solitary freaks to commiserate with. I mean, what is it that keeps people wanting to live? It’s got to be love, doesn’t it? For people, for art, for work that is satisfying; for nature and its mysteries. That feeling of aliveness where you’re engaged in what you’re doing or who you’re with and there you are, being.  But what if you can’t feel anything but the lack of it all, the “Why?” that has no answer?

I can’t speak for anyone else, but my experience can’t be unique. I’ve wanted to die because I couldn’t feel love from anyone out there. I mean, I could feel love toward certain people – most deeply and particularly my children – but it didn’t feel reciprocal. When they were little, in my worst moments I would tell myself that I would kill myself when Natalie turned 16, because by then she wouldn’t need me any more.  She’d be well on her way (where the hell did I think she was going?), I’d be one more thing out of her way. Dead mom? Blip in the road, a stumble with quick recovery, then back to it like I wasn’t really there in the first place.

I believed this.

“We are all members of society,” Hecht writes, “and these connections are to be honored.” She says suicide creates more suicide. So I think about this. I think about the way Philip died – it was an accident. And I think of what I went through when I first learned of it, what I’m going through now. I was tortured; it didn’t matter that there wasn’t anything I could’ve done. I’m his mother – I was supposed to protect him. I was sick at the thought that there was a moment when he knew he was going to die, and he was alone and terrified but he had to let go. No way, I’m told; because of the heroin he went out in a blaze of bliss. I’m not so sure, but there isn’t anything I can do about it.

But as devastating as Philip’s death is, what if he’d chosen to killed himself? The things I hold on to are that he was a happy kid, that we were close, that there wasn’t anything unsaid between us. That I’ve nothing to feel guilty about unless I choose to make it so. But look at what his dying has done to me, to his father, to his sister – to all who knew him. The shocking, mindless blow of it. Do I think my own death would be any less shattering? What worse thing for Natalie than to live with a mother who’s not only dead, but dead by her own hand? So she not only gets to suffer my death, she gets to spend her life wondering why she wasn’t enough for me to live for.

And if I would do such a thing, in what meaningful way would I have loved her?

A few months ago, in my bathroom, I got a pain in my chest. It wasn’t about my heart – more like indigestion. But it caused me to bend over, and I closed my eyes, and made believe it was my heart. I might be dying, I thought. My heart might be shutting down and I might just keel over and Natalie’s upstairs, my God Natalie’s upstairs, I can’t leave her now, she’ll freak. She needs me to stay with her – I don’t want to leave her. So there was a crack in the atmosphere and I got it…but where’d it go? Do people live in full knowledge that they matter, they very much matter, to those who love them?

And so I have reason to Stay. But I’m missing the part about wanting to. I’m more attached to Philip’s death than Natalie’s life.

Next: What Philip says about that.

© 2014 Denise Smyth

Sobbing and Useless (Suicide, Part Two)

Naturally the first (and as yet only) chapter of Jennifer Michael Hecht’s “Stay” that I’ve read is “Suffering and Happiness.” Because as anyone who’s tried to delve into what they suffer knows, lots of people have lots of things to say about the suffering/joy thing. I will not ask the one question that haunts: why? I mean, why the fuck does one have to suffer to know joy? Hell, I can even answer that in my own way – but it doesn’t satisfy, not really. But suffering transmuted can liberate me from believing that I must suffer. Can show me, if I’m honest, what my part is in what I feel. Like everyone, I suffer within the context of my life, and Philip is now the focal point of that suffering. But as I’ve said, he’s told me not to make his death into something it isn’t. I have to get my head out my ass first.

And what I mean by “suffering in the context of my life” is that Philip’s death is of a part of the rest of it. A really simple way to understand that is if you’ve generally been okay with being alive you’ll probably wrestle with your child’s death differently than if you’ve spent most of your life thinking you and those around you would be better off with no-you. I mean, one of the reasons I used to think it’d better if I died was because my insurance policy would pay for my kids’ college.

Think I had some of those self-esteem issues we hear talk about?

My cousin Maria remembers that when I was a kid I always loved gray days. They make me feel safe, I told her. Nothing’s changed. I’m looking out my window now, where the sun’s breaking through the clouds that just yesterday were full of rain. I’ve a pit in my stomach; they always leave, the clouds. Always. There’s more sun-time than cloud-time and it doesn’t seem fair. What I feel good about is temporary, leaves too quickly. What keeps me twisted is reliable. And that’s pretty much how life’s felt.

I don’t much like Hecht’s poem, “No Hemlock Rock (don’t kill yourself); there’s a certain silliness to some of it and I’m not sure what she’s trying to do:

Don’t kill yourself. Don’t kill yourself.
Don’t. Eat a donut, be a blown nut.
That is, if you’re going to kill yourself,
stand on a street corner rhyming
seizure with Indonesia, and wreck it with
racket. Allow medical terms.
Rave and fail. Be an absurd living ghost,
if necessary, but don’t kill yourself.

I guess she’s saying be crazy, do anything, anything at all except kill yourself; but those words have nothing to do with me because I’m hurting and and it’s too much effort to go out and get a donut and I don’t even know what it means to be a blown nut.

But “Stay” is something else. When two of Hecht’s close friends killed themselves, she wrote an open essay letter on a blog that she writes for.  “Life has always been too hard to bear, for a lot of people, a lot of the time,” she wrote. “It’s awful. But it isn’t too hard to bear, it’s only almost too hard to bear.” She tells us to sob and be useless because “Sobbing and useless is million times better than dead. A billion times.” She calls those who want to kill themselves but don’t, heroes.

I’m no hero. I didn’t kill myself out of fear; nothing heroic about it. And before I start going on about how cowardly I am that I didn’t, I’m going to switch gears. I have to start seeing things differently. I’m not into heroics, so I’ll just say I have some level of sanity or I’d’ve thrown myself drunk in front of one of our Montclair rail crossings.

But how crazy am I to be touch with Philip daily and yet want to die because he did? What is it about the dark that attracts me? Philip told me that he is my teacher where he is, and Natalie’s my teacher where she is. He’s here to show me what death isn’t; she is showing me what life is. But it’s Philip I listen for and yearn for and learn from; I don’t learn from Natalie. She’s intense and blooming and instead of learning that from her, I sit on the sidelines because I can’t have that. Too late, don’t know how.

How complicated is this all? Philip was my first born, and extraordinary to me. The first thing I’d done right; and when I saw the beautiful child he grew into, all the more proof of what I was worth. He was my light. Funny thing is, there were times I thought I was paying way more attention to Natalie than to Philip; but my children needed what they needed, and Natalie needed more. Philip was my steady. Lights don’t go out, I said when he died; they just don’t. “I didn’t go out, mom,” he says. “Have a little faith.”

See, I can bow my head every day in gratitude when he lets me know he’s near. But what good is it if I don’t learn to live. If I want to work with what he’s trying to teach me, then I have to be willing to follow Natalie’s lead.

Hecht quotes Ann Sexton: “I don’t want to live…Now listen, life is lovely, but I Can’t Live It. I can’t even explain…if you knew how it Felt. To be alive, yes, alive, but not be able to live it…I am like a stone that lives…locked outside of all that’s real…I wish, or think I wish, that I were dying of something for then I could be brave…to [be] behind a wall watching everyone fit in where I can’t…to live but to not reach or to reach wrong…to do it all wrong…I’m not a part. I’m not a member. I’m frozen.”

I know this. I know every word of this. I’ve said it all, down to wishing I was dying so I could be brave. So I am not alone. But this is what else I know: It does not have to be this way. I don’t have to be this way. I haven’t figured out what that means yet. But this is only part two.

Next: Suicide, Part Three

© 2014 Denise Smyth

Stay (Suicide, Part One)

No, I’m not going to kill myself. But I’ve been preoccupied with being dead, and since the inner eventually becomes the outer, all things suicide have been coming my way.

Natalie bought me a book about suicide for Christmas. “Stay,” by Jennifer Michael Hecht. I find the title wrenching. “Dad asked me if I bought it because I was worried you’re thinking about killing yourself,” she said. “I told him no, it’s just I know you’re interested in suicide.”

My therapist is concerned. So I asked Natalie, who, after getting annoyed about the whole thing, pointed out that she knows I once tried to kill myself and hence, my interest; that she heard about the book on NPR, which gave her the idea to buy it; that if I was going to kill myself I would have already done so, since I’ve gone through the worst thing in my life so far; and that anyway, I wouldn’t do that to her. And no, I wouldn’t.

But she’s the thread I’m hanging from. I have enough sanity to see she’s a reason not to die. But it feels impossible I’ll ever get to the part about wanting to live. Or maybe I don’t think about that for the next few-whatever. Maybe I first get through Philip’s birthday on January 20th, then February 23rd when it’ll be two years since he died. Because if I’ve learned nothing else these last two months, it’s that this year-two stuff is pretty sickening. Year one’s unreality has been replaced by year two’s finality, and where’s there to go from here?

I get a daily poem from The Writer’s Almanac, which, by the way, is connected to NPR. 95% of the time I don’t read them. But one day last week, I got two emails from the Almanac, the second one correcting the first. Maybe I should read it, I thought; maybe that poem’s trying to get my attention. It was a poem about suicide. I mentioned it to Natalie because of the book she’d given me, and she said maybe it was the same author. So I checked, and sure enough, it was.

And if that’s not enough suicide-stuff, a couple weeks ago, I got a link to a blog post about suicide. The blogger – who I think had once felt suicidal and is now really happy to be alive – decided that those who kill themselves are selfish and cowardly. I don’t argue online – I don’t usually have the energy or self-righteousness for it. But this closed-minded, cliched version of What Kind of People kill themselves incensed me enough to let the blogger know exactly what I thought, which included the fact that many who’d read the post were the ones who’d lived through a loved one’s suicide, and what kind of burden does that add to a load that’s already broken a whole bunch of people to pieces? (And the end of that story was instead of getting flipped-off, the blogger read my entire blog and left a lovely comment. Who knew??)

Since Philip died, I’ve come across people whose loved ones have killed themselves, and I don’t pretend to know what kind of hell it is to live with that. Especially if it’s your child – what ginormous excess of grief must that create? Suicide has nothing to do with the people who love you. It has to do with unfathomable loneliness, other-ness, not belonging, not seeing, not getting why you’re alive if this is what it feels; if all/most of the time, this is what it feels like. And screw feelings-aren’t-facts. Feelings are the world if that’s what you let them be.

My secret mantra has yet again become, “This won’t last forever because I will die.” Not exactly suicide, but a way of becoming one of the walking dead. I already wrote about what Philip said to me about suicide here. And I promised him I’d stop wishing myself dead. But lately, I’m not hearing anything but the battering between my ears, and I don’t know what it is I’m trying to accomplish with my little mantra. Maybe I think it’ll bring a natural death faster, and no one will blame me if that’s how I go.

I become unreachable when I’m lusting for death, which I’ve long considered the only way “out.” When I finally figured out that if I thought death was the answer, I was asking the wrong question, Philip died. And even though I remind myself that death remains the wrong answer, these last few weeks I’ve given up and given in and I see no way through. I’m not in touch with anything inside me that knows how to live, much less wants to. It seems wrong and unnatural, but life’s never much felt like a home I belonged in.

For whatever the reason, I was miserable and angry about life since I was a kid. When I turned 11, I decided the way out was to drink. By 14, I added pot to the mix. By 22, I had bulimia. For years I turned the rage I felt but never understood into a scathing diatribe against myself. I swore God took special pleasure in my unhappiness or else He’d make it go away.

When I was 21, I sat in my parents’ bathtub at 4:00 in the morning while they were away for the weekend, drinking and hacking away at my wrists with a razor blade. I thought I was making progress when the blood started spraying, but that’s when I heard the phone ringing. I guess I wanted to live more than I wanted to die because I answered it. It was my soon-to-be-ex-boyfriend, Chris. Earlier that night, I’d left him at a party, drunk and angry that he hadn’t given me any of the Quaaludes he’d already passed out from taking. What he later told me was that he’d woken up out of his stupor and knew something was wrong when he couldn’t find me. He came over and wanted to take me to the emergency room. I refused, so he wrapped a towel around my wrist and went to a 24-hour drugstore for some butterfly bandages. When he was done patching me up, I sat in the bathroom watching him clean the blood from the walls around the tub.  On his knees, he tossed his long Jesus-hair back over his shoulders and never said a word while he worked. I longed to lay my head on his long, narrow back while he rinsed that bloody rag. I wanted him to love me as much as he wanted to save me, but when he stood and turned to me he was the Chris I knew again, his ever-increasing remoteness further justified.

After that, I went to therapy. I still didn’t want to live, but I was embarrassed by my failed attempt and by what I considered my cowardliness because I knew I wouldn’t do it again. By 24 I went to AA and I stopped drinking. By 30, I married Phil, which went a long way toward stabilizing my violent moodiness. I relied on his steadiness, but it offered no insight into how to build a life that I could enjoy. I’d stopped drinking and vomiting and had even given God a shot, but I wasn’t happy. I was living in a long, gray corridor called depression.  Wanting to die was my default position, the only way to permanently right what was wrong. I got it together for everyone else; I loved my kids and took care of my family, but the life I was living didn’t seem to include me.  I was bored staying home with the kids, unhappy being married, despondent because I had no career, resentful that being a wife meant having sex when the only touch I didn’t object to was that of my children. I was waiting my life out. I thought about swallowing pills but had no idea how to get them. Sleep was the only peace I knew, and the nights I was particularly despondent I’d crawl under the covers, pull them up to my chin and curl up to say my adult version of the prayer my mother taught me as a kid:

Now I lay me down to sleep
I pray the Lord my soul to keep
I  pray to die before I wake
I pray the Lord my soul to take.

But the Lord wasn’t listening, so I kept a package of razorblades in my kitchen drawer. I might’ve been too scared to use them, but they were my version of hope.

Next: Suicide, Part Two

© 2014 Denise Smyth

WTF?

Fuck art. It’s time for a rant, because really, I’m exhausted. Not for lack of sleep. For my mind tripping over my broken heart to figure this out or make meaning or whatever the hell it is my mind is trying to do while it’s continually screaming Philip is dead Philip is dead Philip is dead dead dead.

WTF? What’s today? I don’t know but it’s the Aftermath. The Christmas quiet which I used to wind down with my family, wrappings gone, bows saved, boxes still under the tree like we could open our presents all over again. My family, of which 1/4  is dead, 1/4 I’m separated from, and 1/4 is beginning to leave on her life’s adventure. And I am paralyzed because there’s nothing in me to be adventurous, there’s nothing in me that wants to go out and do anything. WTF kind of life is this? I can’t carry Philip’s death. It’s too goddamn heavy and I don’t know what to do. I miss him, I goddamn miss him. What does anyone do? What do you say to yourself, what do you do with your time when you’re suffering? I wrote a post called “What I do” about that, but there’s more. There’s food, there’s not eating, or eating and vomiting, and torturing myself that I’m going to get fat and fretting about it all the time and for shit’s sake I’m 55 and I’ve got adolescent eating problems. I am exhausted.

Somebody told me that Joseph Campbell said – big paraphrase coming here – that it’s not meaning that people are searching for, it’s the feeling of being alive. WTF? So I’m doing it wrong again? I thought I was trying to make some damn meaning out of all of this and be on my merry way to some peace, which is another idea I have the way I had an idea about forgiveness. Because I keep thinking I want peace which, in my idea, feels not like life but like tolerance of life, which is feeling very fucking empty right about now. Is that what I really want? A life that’s “tolerable?” Any wonder why I’m waiting to die? Why do people want to live, I asked my therapist? What’s with the wanting?

Why do you want Philip to live, she shot back? Which brings up a whole shitstorm of questions like, WTF is life, really; what is it when I can hear my son and read his signs and feel his nudges which would mean (there’s that word again) that life can’t possibly be about a body so it must more be about connection.

There it is. I don’t feel connected to anyone right now, not myself, not Philip, whose eyes I feel watching me even as I write this. And I don’t mean “eyes” as in those of a body but I am restricted to language to talk about what’s going on and “eyes” watching me conjures up what I’m feeling. I feel his watching, his patience. I feel him waiting for me to calm the fuck down and begin again. So, what then? Am I connected, or am I not?

Maybe when it comes to Philip, I’m never completely disconnected. There’s some thread that at the moment is stretched to breaking even though I know it won’t. But it’s not enough. There are people here, people with flesh and hair and body fluids that leak from all different places; people that take up the same space as me and to need to be paid attention to.  There’s Natalie, for starters, who I sometimes feel like I’m watching through the long end of a telescope. She’s there; she must be. But I can’t take in that I matter to her or anyone else and it’s that profound loneliness that’s dogged me since before Philip was born and is unfathomably murky now. But there is no one to hug me. There is not one person I can sink into.What’s it matter? echoes the hollowed out place my heart’s supposed to be, and where not coincidentally Philip asked me to place that diamond. Light it up, mom; see what’s really there. But I think it’s a big, fat nothing. I think it’s loss upon loss with more loss to come because what else is life anyway? Being ready for the loss. As if you could be, even when you know it’s coming. (Tersia, Lucia – are you reading this?) In “No Chance,” Lou Reed sings of not having a chance to say good-bye to his friend who died: “There are things we wish we knew and in fact we never do / But I wish I’d known that you were gonna die.”

Really? ‘Cause I don’t. I dreamt of Philip maybe three times since he died. In one dream he was telling me he needed some fencing gear, and that he needed socks. “If you did your laundry, you’d have socks,” I’d thought, much to my surprise because I knew that on Sunday, he was going to die. I was sorry to have thought that about the socks, and it was awful to tell him yes, we’d go get his fencing stuff even though I knew he’d be dead before he could use it, and there was nothing I could do about it. Just keep acting normal until it happened. So no, I don’t wish I knew he was going to die.  Something had been driving me those last months, something that made me choke on my love for him and make my twisted way into his heart to let him know how much I did.

So WTF? What’m I supposed to do? Nothing’s working here. I don’t want to knit or sew or read or cook or watch TV. I don’t even want to drink, which sometimes I think I do, but which I know won’t help ‘cause I’ll wake up worse. A pill, maybe. A big, fat pill – or several small ones – so I can go to sleep, which is my version of peace. It won’t make me connected to myself, but it’ll sure make me forget that I’m not.

© 2013 Denise Smyth

Nothing Good or Bad?

I was asked to guest post by Becki Duckworth at http://isurvivedamurderattackmyfamilydidnt.com/ Becki’s story is brutal; you can read about it here.

And you can find my next post here.

I wish all of you peace on this day after Christmas. I find it’s not the “day” that’s hard as much as the aftermath, when I’ve survived to find yet again that life goes on and I’m just not sure how I’m supposed to go along with it.

Door Number Three?

A couple things happened this past week which don’t particularly seem related but are if only because there’s either the familiar, self-destructive way to deal with them or the way that I can say lots of really smart things about, but seem unable to actually do.

These couple things are also about writing; what it is I’m doing here writing this blog where I take pause and look at the sorrow of my son having died and what all that means because it’s not only changed whatever I thought the future was going to be, it’s changed the way I see the past. And it’s forced me into constant reckoning with the fact that there only, ever is Now.

I work this out here because we’ve all an ancient need to tell and to hear our stories, and we live in a time where we’ve got virtual communities to do so.

A couple weeks ago I started a short term writing class about how to publish personal essays, which I thought would be easy since I’ve a got a blog full of them. Except it doesn’t work like that.  After reading aloud the couple pieces I’d brought in, the woman who’s running the class said – and in the gentlest way possible – that what I’ve written doesn’t work in the way I’ve written it and this should go here and that should go there and the rest of it isn’t necessary and on and on until I felt like she was taking what I’d written and making it into something I wasn’t trying to say. But the worst thing about it was that I didn’t hear it. I thought it worked, exactly as I’d written it. That I can’t hear what I’m writing is beyond dismaying.

And into the mix came a cryptic email from a long-time long-distance friend X who I haven’t heard from in a month and a half or so and who wrote that she’s “been reading my blogs” and decided that “Natalie must feel like not only did her brother die, but her mother has as well. She must be very lonely;” and that she’s an “innocent victim of my grief.  Why else would she want to spend more time at Phil’s.”

And, she says, her only reason for saying this is because she’s worried about Natalie, who I’m not sure she’s ever even met and if she did, it was when Natalie was a wee bit of a thing. Because had she met her, the last thing she’d call my scrappy, in-your-face, don’t-mess-with-me daughter is a victim of anything.

But reading that shook me up and began an obsessive chain of thinking that echoed back through the years of when I didn’t know better. The years spent locked in relationships (not only romantic ones) where I swore I was the victim and the closest I got to seeing what my part was was to say, well, I must have a part ‘cause it takes two but I’ll be damned if I know what it is because she is so doing that to me.

Obsessiveness and writing don’t work for me, in spite of my writing teacher suggesting the reason I keep writing about Philip is because I’m obsessed. I see “obsessed” as blinding and shortsighted which maybe isn’t at all how she meant it, but that’s how I took it and so twice in one week I decided I was the victim of a world that I always knew I didn’t belong in.

I’m not obsessed with Philip. When he first died, and for at least that first year – that’s obsessed. What the hell else would I be? And for that year, I – who at the time of his death was 150 pages into what I saw as a hot and sexy memoir – was not able to write a word because the grief-obsession duo made everything move too quickly to capture in words and drained me of both the will and energy to do so.

So now I feel like the contestant in Monty Hall’s Let’s Make A Deal who has to choose between Door Number One or Door Number Two or Door Number Three, except that what’s behind them is no secret to me. Behind Door Number One is angst and depression because I am what I write and if I can’t make a goddamn essay with the thousands of words that I’ve already written, then what the fuck am I here for? Behind Door Number Two is self-righteous victimhood and insecurity because how dare she and who the fuck does she think she is but maybe she’s right and what kind of mother am I, what kind of person with my goddamn tale of woe and what’s wrong with me that I still haven’t gotten with the program?

Then there’s Door Number Three, which is where truth lies and you’d think it’d be easy to walk through that door, but it isn’t. It hasn’t the obsessive seduction of tearing X apart and stomping through her bloody remains, or of watching myself whither away because the Teacher likes everyone but me and I can’t write and I can’t live without my son and life’s a big suck ball so why can’t I please just fucking die.

Behind Door Number Three lies the meaning of “it takes two.” Because first there’s the fact of what happens, and then there’s the way I choose to look at it. And that is how one creates a life.

A blog post is not, in fact, an essay. There’s the possibility of it turning into one, but it’s hard. I can choose to try to do that, or I can work on an essay instead of a blog post. I can choose to put my energy into what it takes to get published now, or I can continue to learn about it and try to make it happen later on. That’s all; there isn’t any drama here. There’s figuring out what I want to do, then figuring out how to get it done.

And this situation with X, which is too perfect: here I am suffering a death I consider way more tragic than my own, and what I thought was her loving hand was really holding a knife. And when I tell this story like that, I can get my goddamn ego stroked because no one should treat a grieving mother like that and how much better am I ’cause I’d never, ever do such a thing. And there was a time that would have satisfied me, but at the price of having to repeat my sad story until it grew flimsy and full of holes, but then sure enough along would come another injustice and I could start all over again.

But how about I change the story. How about I say…nothing happened. It’s a fact, of course, that X wrote those things. But what’s that change about me or my life? If I think it matters that much and I attack back, then I must think I’m small and weak and that someone’s words can threaten me, can change something fundamental about me.

What if I changed the story to understand that X is in her own pain, because people don’t lash out if they’re not. And if that’s true, why do I want to make it worse with a counterattack? Contrary to the laws of this world, we have what we give. If I shoot poison at her, I have that poison, which comes from an ever-replenishing well where the more I give, the more I have.

AA talks about detaching with love. Whatever, I used to think. Not so much any more. And I mean love as in keeping an open heart. I’m not saying I have to send flowers to X and tell her what she said didn’t matter and everything’s all Kumbaya. I’m way too human for that, and the fact is, it does hurt. Detaching with love means seeing this friendship has been fraught with difficulty and if I don’t like the way I’m treated, I end it. But I keep my heart open because when it shuts down in response to the pain I blame someone else for, all it does is shut that pain deep inside of it. That’s what the light’s about, the diamond Philip offered me. That’s the light that burns through the suffering and transmutes it first into something bearable and eventually to the joy that’s its other side.

And I am working on it, because no one feels the deadliness of my anger more than I do.

© 2013 Denise Smyth

What He Meant

I’d like to say something interesting about the mad crazy start of the holiday season a whole two-and-a-half months before Christmas, but I don’t know what that would be except for the usual grousing. There was a time I thought since the six or so weeks between Thanksgiving and when the Christmas decorations came down were mostly absorbed by Christmas, I spent 1/12th of the year (generously rounded down) in some alternate universe where life revolved around garland, gifts, tiny, twinkling lights and how many different kinds of cookies I could bake. Now the time frame’s shifted to 2 1/2 months, and I’m not feeling so generous. Over 1/6th of our time is spent absorbed in the holidays or trying to avoid them.

Whether or not I want to think about the holidays doesn’t matter. I feel them. It’d be easy to say this time of year makes me sad or depressed, but it’s more complicated. I’d add trapped because grief and holiday-cheer is a toxic mix and I can’t avoid either; and scared, because so much of what surrounds Philip’s death is fear. I’ve been told it’s because I’m afraid of my own death. I won’t argue something I’m not sure about, but Philip’s death affects my life so deeply that I’m not sure at all sure which state I’d prefer.

Part of what’s so terrifying is I didn’t know just how awful life could feel and what’s to stop it from throwing something else at me? I’m told the worst thing that could happen to me, happened. No, it’s the second worst. First worst would be both my kids dead. And there isn’t any amount of money or any sort of insurance policy that’s going to keep me safe from what I fear most. I’m alive, I’m at risk.

During the last holidays I shared with my son, I was still sorting things out. It was the third holiday season since I’d left my husband. The first year, we kept things the same – Thanksgiving and Christmas Eve at my parents’, Christmas day at our house. The following year began the separation. We’d alternate Thanksgiving with the kids, and I got to go first. Phil declined to join us on Christmas Eve, but Christmas remained the same, with me going to Phil’s early in the morning to open the gifts I’d bought and wrapped and delivered Santa-like the week before.

But that next and last Christmas was the final split. It was Phil’s turn to have the kids on Thanksgiving. Christmas Eve they’d be with me, since that was the big day for my family, and Christmas Day they’d be with Phil and his family at the house like always, except I wouldn’t be there, even though Phil, last minute, invited me.

If you ever have to get divorced, may it be from someone like my husband.

That last year was the year to begin new Traditions. That last year I was spending Thanksgiving at my cousin Maria’s, where I went the night before to help with the cooking, and then sleep over. This will be our new tradition, I announced, thinking how the following year the kids would come and join me because Maria’s home could sleep the three of us and then some.

That last year was the first year I put up a tree. I got the idea that the kids should sleep with me at Nadiya’s on Christmas Eve, open presents in the morning, then go to Phil’s after breakfast. This will be our new Tradition, I announced.

And that last Christmas morning, when the three of us emerged from the discarded wrapping paper and tissue and bows and ribbons to have some breakfast, Nadiya was already in the kitchen with her son and daughter, and we all ate breakfast together. This will be our new Tradition, I announced.

But last year, I was busted. And I will not be using the T word any time soon.

I’m coming unhinged because there’s a cruel chill in this holiday air, and it’s blowing away whatever sanity I’d been hanging onto.  I’m lonely in the way only the death of someone you love can leave you, in a way that has nothing to do with how many bodies are around because the strange thing is, I mostly want to be alone anyway. Except for Natalie, who’s around when she’s not slipping away to friends and college and work; to secret texting and ceaseless facebooking  and to instagram, picturegram and every other -gram that comes along to replace the one created the day before.  And to her dad, whose house she’s decided to sleep at once a week and which I believe will turn into two or three times. I envy the whole family she’ll be sharing the holidays with, my half and the half I left when I left my husband; I envy the joyful juiciness of her life whose only momentum is forward while I’m spiraling down, not down as in lost but down as in deeper, which isn’t at all the way I imagined deeper would be. It was supposed to be a state of peace and wisdom, and its cost was merely willingness.

But there’s nothing “merely” about willingness, which is mostly acquired when the life you’re living feels like it’s taking place in one of those rooms whose two opposite walls are moving toward each other with you stuck in the middle and you’re screaming and screaming because you know you’re not only going to be crushed to death, but it’s going to happen in a  hideously, slowly way. If you were told willingness would set you free, you might take the risk of jumping into the void, or you still might hold out, preferring to hear the sound of your own, right screaming than to trust in something you couldn’t see.

I see the tentacles of my grief wrapped around Philip and Natalie and Phil because I desperately want to be taken care of and I think it’s my need that keeps them circling me. Who am I to them if I’m not broken? Who am I to me if I’m not broken? I haven’t the nerve or the will to jump into the next void, which isn’t about any sort of letting go of grief (why do people say shit like that??) but about leaving behind the need to use my grief.

And that’s what Philip meant when he said, “Mom, it’s time.

© 2013 Denise Smyth

It’s Time

I’m not so sure about choice. I don’t mean like what boots best go with my jeans or whether I want scrambled or over-easy. I mean choice about the way I feel or the way I think or even – which seems the most controllable – the way I act.

I don’t have much choice about what I think, but I can choose to look at it and distance myself from it, or dive into its darkly deep and believe it’s the truth of it all. And lately I’m bad as I’ve been, nursing my secrets as gently, carefully and constantly as I did my kids when they needed me.

I think I’m depressed, which is not the same as sad. Sad is being protective of my mournful heart. Depressed is anger I won’t feel; it’s me crying and hopeless and lying on the couch and not writing and doing all sorts of things with food that sooner or later I’ll have to talk about. “You have to take care of yourself,” my therapist tells me. “That’s why you feel like this. You’re angry; and you think you’re angry at yourself, but I think you’re angry at Philip.”

I’m not going to argue, but if I am angry at him, I don’t feel it. I’ve said before that Philip was involved with something bigger than he was and he didn’t get out of it before it got him. Look, I know addiction. I know the pull of alcohol, the craving for drugs, the sheer insistence that being Out of Mind and so Disconnected From Body has got to be better than this. So what I see is my child vulnerable, and how can I be angry at him for his weakness?

I know emotions don’t always make sense. Look at how angry I am at myself because Philip died – what the hell sense does that make? I’ve conflicting emotions all the time – what would be so strange about being grieved that Philip died, as well as angry at him because he did?

But what is it I value? I think I value suffering. I think I value being apart-from, living in a world I won’t let touch me. Which is what I mean about choice. Am I really choosing this? I’m not talking about Philip dying or how-of-course I’m grieved and somewhat unmoored. I’m talking about the particular way I’m suffering and the way it’s so easy to sacrifice myself to it. The way I can’t stay connected – to Philip, to Natalie, to Ed, to you all, to writing – which only means I can’t stay connected to my-self. And so I’m asking again; is this a choice I’m making??

Last week, I had another of my extraordinaries. A week ago Friday, actually. I’d been so down and withdrawn that maybe I scared myself, but whatever it was, something nudged me into getting in touch with Harriet, who I love very much and who’s seriously good for my soul.

We decided to have dinner at her apartment on Friday, which meant me picking up Greek food from the tiny Greek takeout in town. I went there to order, and while I waited, went next door to my dry cleaner to pick up some pants I’d had hemmed. My dry cleaner – whose name, after all these years, I still don’t know – is always happy to see me, but this time all her big smile did was make me burst into tears and when she came round the counter to hug me, it hit me how long it’d been since someone did.

Back outside, I sat at one of the small, curbside tables the Greeks put out when the weather allows, closed my eyes and tried to relax, listening, as always, for Philip. When I opened my eyes I looked up, and caught the sun lighting up some cotton-ball clouds into shades of golden red. Look at the clouds, Philip said. Watch.

So I stared, trying hard to make cloud shapes that looked like Philip. Am I going to see you, I asked? Am I going to see your fencing sword so I know for sure it’s you??

Just look and don’t try to see, he said; and what immediately popped up was a wolf’s head. Which I stared at and which appeared to be moving because clouds really are moving and because if you stare hard enough at anything it’ll seem to start moving. And this wolf had its mouth open, sometimes looking snarly and sometimes not. Then I saw a hand appear in front of its head, palm up. And then something swirling on this hand, something trying to take shape. Are you giving me something, I asked Philip? Are you giving me a gift?

And yes he was, because the thing swirled itself into a huge, red diamond shot through with light, perfectly balanced in the palm of this hand and I asked, are you giving me a diamond and he said yes, I am. You always say I’m the light. Now I’m giving you the light and I want you to take this diamond and put it in the dark spot where your heart is, because it’s time, mom. It’s time. And before I could fully grasp the thing he was telling me, a car pulled into the spot in front of me and had his initials on its license plate.

I swore I wasn’t going to tell this story. But I did. First to Harriet, and then to Ed. Ed’s the most realistic man I know but has yet to shrug off anything I tell him Philip says because Ed can hear its wisdom. Do you know what this story means, he asked and yes, I thought I did except for the part I missed. It’s that part that Ed said was the reason I wouldn’t tell this story, because if I did, I’d be committed to what it meant. Because what Ed heard was Philip asking me to be his mother because he is not my father and I cannot depend on him as if he was, and  the reason I refuse to live my life is that I insist the only way I can “keep” Philip is by going all helpless-little-girl-I-need-you on him and I’m afraid if I grow the fuck up my son will vanish and take his diamonds and license plates and 21s with him and then he will have left me twice.

It’s closing in on me; Philip saying, “it’s time,” and all the things he’s said before. Asking me what it means to be his mother, what it means to be responsible, what do I think it feels like to him to have to watch the way I suffer. Not that I suffer, but the way that I suffer. The way I bring it on and lose myself and refuse to take what’s offered me.

Like that diamond, the one that’s supposed to be in my heart.

© 2013 Denise Smyth

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